Paket Promo Umroh VIP Jauari 2016 di Jakarta Pusat Hubungi 021-9929-2337 atau 0821-2406-5740 Alhijaz Indowisata adalah perusahaan swasta nasional yang bergerak di bidang tour dan travel. Nama Alhijaz terinspirasi dari istilah dua kota suci bagi umat islam pada zaman nabi Muhammad saw. yaitu Makkah dan Madinah. Dua kota yang penuh berkah sehingga diharapkan menular dalam kinerja perusahaan. Sedangkan Indowisata merupakan akronim dari kata indo yang berarti negara Indonesia dan wisata yang menjadi fokus usaha bisnis kami.

Paket Promo Umroh VIP Jauari 2016 di Jakarta Pusat Alhijaz Indowisata didirikan oleh Bapak H. Abdullah Djakfar Muksen pada tahun 2010. Merangkak dari kecil namun pasti, alhijaz berkembang pesat dari mulai penjualan tiket maskapai penerbangan domestik dan luar negeri, tour domestik hingga mengembangkan ke layanan jasa umrah dan haji khusus. Tak hanya itu, pada tahun 2011 Alhijaz kembali membuka divisi baru yaitu provider visa umrah yang bekerja sama dengan muassasah arab saudi. Sebagai komitmen legalitas perusahaan dalam melayani pelanggan dan jamaah secara aman dan profesional, saat ini perusahaan telah mengantongi izin resmi dari pemerintah melalui kementrian pariwisata, lalu izin haji khusus dan umrah dari kementrian agama. Selain itu perusahaan juga tergabung dalam komunitas organisasi travel nasional seperti Asita, komunitas penyelenggara umrah dan haji khusus yaitu HIMPUH dan organisasi internasional yaitu IATA.

Paket Promo Umroh VIP Jauari 2016 di Jakarta Pusat

saco-indonesia.com, Layla Eshki (33), tak kuasa menahan decak kagumnya ketika mengamati gaun putih bermotif abstrak di bagian ujung yang dikenakan salah satu pemenang World Muslimah Beauty 2012, Deanita.

JEDDAH, Saco-Indonesia.com — Layla Eshki (33), tak kuasa menahan decak kagumnya ketika mengamati gaun putih bermotif abstrak di bagian ujung yang dikenakan salah satu pemenang World Muslimah Beauty 2012, Deanita. Ketika itu, para pemenang WMB 2012 tengah bertemu masyarakat Indonesia di Jeddah dan warga Arab untuk mengenalkan ajang pencarian duta Muslimah inspiratif itu di Jeddah, Jumat (31/5/2013) lalu.

"It's beautiful! I never seen hijab like this in here," tukas Lyla sambil berkali-kali menyentuh pakaian muslim dari rumah busana Mumtaaz itu.

Lyla bercerita bahwa di Arab Saudi, para perempuan hanya terpaku pada sebuah baju muslim dengan warna hitam. "Di sini, semuanya hitam. Tak ada warna-warna cantik seperti ini," tutur perempuan yang bekerja sebagai fotografer lepas itu.

Hampir seluruh toko, cerita Lyla, menjual jubah dengan warna hitam di tokonya. Jubah yang dikenal dengan sebutan abayya itu biasa dikenakan perempuan Arab sebagai baju pelapis mana kala pergi ke luar rumah. Lyla mengaku bosan melihat pakaian yang itu-itu saja di negaranya.

"Yang saya tahu Islam itu tidak hanya hitam. Islam itu tidak membosankan, makanya saya pun pakai abayya dengan warna- warna cerah, meski hal ini tidak lazim di sini," kata Lyla.

Lyla melihat tampilan busana muslim karya para desainer dari Mumtaaz bisa menjadi salah satu panduan bagi perempuan Arab untuk berbusana muslim. Pasalnya, lanjut Lyla, kini perempuan Arab —khususnya di Jeddah— banyak yang terjebak dengan busana muslim yang tidak Islami.

"Mereka mengenakan celana jeans ketat sampai terlihat g-string, atau menggunakan baju ketat sampai terlihat belahan dadanya. Jelas ini sudah salah mode," tuturnya.

Menurut Lyla, kesalahan mode itu lebih banyak terjadi di Jeddah. Sementara di Mekkah dan Madinah, hal tersebut tidak terjadi karena kedua kota itu adalah kota suci bagi umat Islam. Di Mekkah dan Madinah, aku Lyla, cara berpakaian perempuan sangat diatur secara ketat, berbeda halnya dengan di Jeddah.

Manajer Operasional Mumtaz Boutique, Surya Artaty, menjelaskan bahwa pemilihan baju-baju yang dikenakan para pemenang WMB benar-benar dipilih secara selektif. Pasalnya, pada sesi pemotretan kali ini, para pemenang WMB dituntut untuk lebih menekankan busana muslim yang syar'i. Busana muslim syar'i yakni yang menutup aurat, tidak menunjukkan lekuk tubuh, dan kerudung menutup hingga bagian dada.

"Untuk membuat busana muslim yang syar'i ini kami tidak memiliki tema khusus yang diangkat karena setiap desainer yang bergabung dengan kami memiliki ciri khasnya masing-masing," imbuh Taty.

Setidaknya ada 20 pakaian yang dikenakan para peserta WMB selama di Arab Saudi. Seluruh pakaian muslim itu merupakan karya dari Malik Moestaram, Dian Pelangi, Shebe, Adhy - Alie, Sascha, Astrie, Zebu, Jenahara, Nuniek Mawardi, Bilqis, dan Lia Afif.

World Moslem Beauty merupakan ajang pencarian duta Muslimah inspiratif sedunia yang diselenggarakan oleh World Moslem Beauty Foundation. WMB merupakan acara tahunan yang dilakukan sejak tahun 2011. Tahun ini, WMB mengubah namanya menjadi Annual Award of World Muslimah.

Perjalanan ibadah umrah ke Arab Saudi merupakan hadiah bagi para pemenang WMB 2012, sekaligus untuk mempromosikan kompetisi tersebut ke dunia. Ada tujuh pemenang yang mengikuti perjalanan ini, yaitu Nina Septiani (Juara I), Dwi Handayani Putri (Juara II), Anggun Hiasyah (Juara III), Tasya Gunoto (The Most Innovative Muslimah), Rizkitha (The Best Video and Al Quran Recitation by Polling), Al Khansa (The Most Talented Muslimah), dan Dheanita Tribuana (The Favorite by Polling).

 

Editor :Liwon Maulana(galipat)
Sumber:http://female.kompas.com/read/2013/06/04/10052199/Perempuan.Arab.Terpana.Melihat.Bu sana.Muslim.Indonesia

saco-indonesia.com, Setelah beberapa kali gagal dalam memanfaatkan kesempatan untuk menguasai puncak klasemen, Atletico Madrid a

saco-indonesia.com, Setelah beberapa kali gagal dalam memanfaatkan kesempatan untuk menguasai puncak klasemen, Atletico Madrid akhirnya tidak menyia-nyiakan peluang yang mereka dapatkan pada jornada 22 La Liga kali ini. Kemenangan 4-0 yang telah diraih di kandang sendiri atas Real Sociedad telah mengukuhkan mereka menjadi penguasa tunggal untuk sementara waktu.

Empat gol yang telah disumbangkan oleh David Villa, Diego Costa, Joao Miranda, dan Diego tersebut telah memantapkan perolehan poin Rojiblancos menjadi 57, unggul tiga poin dari dua rivalnya yang sama-sama terpeleset di pekan yang sama.

Seperti yang telah diberitakan sebelumnya, Barcelona telah terpeleset di kandang sendiri dengan tumbang 2-3 di tangan Valencia. Sementara Real Madrid juga hanya bermain imbang 1-1 melawan Athletic Bilbao di San Mames.

Ini juga merupakan kali pertama Atletico bertengger di puncak klasemen setelah menunggu 18 tahun lamanya. Kali terakhir mereka berada di urutan pertama adalah di akhir musim 1995-96, saat itu mereka telah menjuarai La Liga dan juga mencatatkan double winner dengan menjuarai Copa Del Rey.

Apakah ini telah menjadi pertanda bahwa Atletico akan mengulang prestasi gelar ganda 18 tahun silam? Hanya waktu yang bisa menjawabnya.


Editor : Dian Sukmawati

Photo
 
United’s first-class and business fliers get Rhapsody, its high-minded in-flight magazine, seen here at its office in Brooklyn. Credit Sam Hodgson for The New York Times

Last summer at a writers’ workshop in Oregon, the novelists Anthony Doerr, Karen Russell and Elissa Schappell were chatting over cocktails when they realized they had all published work in the same magazine. It wasn’t one of the usual literary outlets, like Tin House, The Paris Review or The New Yorker. It was Rhapsody, an in-flight magazine for United Airlines.

It seemed like a weird coincidence. Then again, considering Rhapsody’s growing roster of A-list fiction writers, maybe not. Since its first issue hit plane cabins a year and a half ago, Rhapsody has published original works by literary stars like Joyce Carol Oates, Rick Moody, Amy Bloom, Emma Straub and Mr. Doerr, who won the Pulitzer Prize for fiction two weeks ago.

As airlines try to distinguish their high-end service with luxuries like private sleeping chambers, showers, butler service and meals from five-star chefs, United Airlines is offering a loftier, more cerebral amenity to its first-class and business-class passengers: elegant prose by prominent novelists. There are no airport maps or disheartening lists of in-flight meal and entertainment options in Rhapsody. Instead, the magazine has published ruminative first-person travel accounts, cultural dispatches and probing essays about flight by more than 30 literary fiction writers.

 

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Sean Manning, executive editor of Rhapsody, which publishes works by the likes of Joyce Carol Oates, Amy Bloom and Anthony Doerr, who won a Pulitzer Prize. Credit Sam Hodgson for The New York Times

 

An airline might seem like an odd literary patron. But as publishers and writers look for new ways to reach readers in a shaky retail climate, many have formed corporate alliances with transit companies, including American Airlines, JetBlue and Amtrak, that provide a captive audience.

Mark Krolick, United Airlines’ managing director of marketing and product development, said the quality of the writing in Rhapsody brings a patina of sophistication to its first-class service, along with other opulent touches like mood lighting, soft music and a branded scent.

“The high-end leisure or business-class traveler has higher expectations, even in the entertainment we provide,” he said.

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Some of Rhapsody’s contributing writers say they were lured by the promise of free airfare and luxury accommodations provided by United, as well as exposure to an elite audience of some two million first-class and business-class travelers.

“It’s not your normal Park Slope Community Bookstore types who read Rhapsody,” Mr. Moody, author of the 1994 novel “The Ice Storm,” who wrote an introspective, philosophical piece about traveling to the Aran Islands of Ireland for Rhapsody, said in an email. “I’m not sure I myself am in that Rhapsody demographic, but I would like them to buy my books one day.”

In addition to offering travel perks, the magazine pays well and gives writers freedom, within reason, to choose their subject matter and write with style. Certain genres of flight stories are off limits, naturally: no plane crashes or woeful tales of lost luggage or rude flight attendants, and nothing too risqué.

“We’re not going to have someone write about joining the mile-high club,” said Jordan Heller, the editor in chief of Rhapsody. “Despite those restrictions, we’ve managed to come up with a lot of high-minded literary content.”

Guiding writers toward the right idea occasionally requires some gentle prodding. When Rhapsody’s executive editor asked Ms. Russell to contribute an essay about a memorable flight experience, she first pitched a story about the time she was chaperoning a group of teenagers on a trip to Europe, and their delayed plane sat at the airport in New York for several hours while other passengers got progressively drunker.

“He pointed out that disaster flights are not what people want to read about when they’re in transit, and very diplomatically suggested that maybe people want to read something that casts air travel in a more positive light,” said Ms. Russell, whose novel “Swamplandia!” was a finalist for the 2012 Pulitzer Prize.

She turned in a nostalgia-tinged essay about her first flight on a trip to Disney World when she was 6. “The Magic Kingdom was an anticlimax,” she wrote. “What ride could compare to that first flight?”

Ms. Oates also wrote about her first flight, in a tiny yellow propeller plane piloted by her father. The novelist Joyce Maynard told of the constant disappointment of never seeing her books in airport bookstores and the thrill of finally spotting a fellow plane passenger reading her novel “Labor Day.” Emily St. John Mandel, who was a finalist for the National Book Award in fiction last year, wrote about agonizing over which books to bring on a long flight.

“There’s nobody that’s looked down their noses at us as an in-flight magazine,” said Sean Manning, the magazine’s executive editor. “As big as these people are in the literary world, there’s still this untapped audience for them of luxury travelers.”

United is one of a handful of companies showcasing work by literary writers as a way to elevate their brands and engage customers. Chipotle has printed original work from writers like Toni Morrison, Jeffrey Eugenides and Barbara Kingsolver on its disposable cups and paper bags. The eyeglass company Warby Parker hosts parties for authors and sells books from 14 independent publishers in its stores.

JetBlue offers around 40 e-books from HarperCollins and Penguin Random House on its free wireless network, allowing passengers to read free samples and buy and download books. JetBlue will start offering 11 digital titles from Simon & Schuster soon. Amtrak recently forged an alliance with Penguin Random House to provide free digital samples from 28 popular titles, which passengers can buy and download over Amtrak’s admittedly spotty wireless service.

Amtrak is becoming an incubator for literary talent in its own right. Last year, it started a residency program, offering writers a free long-distance train trip and complimentary food. More than 16,000 writers applied and 24 made the cut.

Like Amtrak, Rhapsody has found that writers are eager to get onboard. On a rainy spring afternoon, Rhapsody’s editorial staff sat around a conference table discussing the June issue, which will feature an essay by the novelist Hannah Pittard and an unpublished short story by the late Elmore Leonard.

“Do you have that photo of Elmore Leonard? Can I see it?” Mr. Heller, the editor in chief, asked Rhapsody’s design director, Christos Hannides. Mr. Hannides slid it across the table and noted that they also had a photograph of cowboy spurs. “It’s very simple; it won’t take away from the literature,” he said.

Rhapsody’s office, an open space with exposed pipes and a vaulted brick ceiling, sits in Dumbo at the epicenter of literary Brooklyn, in the same converted tea warehouse as the literary journal N+1 and the digital publisher Atavist. Two of the magazine’s seven staff members hold graduate degrees in creative writing. Mr. Manning, the executive editor, has published a memoir and edited five literary anthologies.

Mr. Manning said Rhapsody was conceived from the start as a place for literary novelists to write with voice and style, and nobody had been put off that their work would live in plane cabins and airport lounges.

Still, some contributors say they wish the magazine were more widely circulated.

“I would love it if I could read it,” said Ms. Schappell, a Brooklyn-based novelist who wrote a feature story for Rhapsody’s inaugural issue. “But I never fly first class.”

Mr. Haroche was a founder of Liberty Travel, which grew from a two-man operation to the largest leisure travel operation in the United States.

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