Paket Promo Haji Plus di Jakarta Hubungi 021-9929-2337 atau 0821-2406-5740 Alhijaz Indowisata adalah perusahaan swasta nasional yang bergerak di bidang tour dan travel. Nama Alhijaz terinspirasi dari istilah dua kota suci bagi umat islam pada zaman nabi Muhammad saw. yaitu Makkah dan Madinah. Dua kota yang penuh berkah sehingga diharapkan menular dalam kinerja perusahaan. Sedangkan Indowisata merupakan akronim dari kata indo yang berarti negara Indonesia dan wisata yang menjadi fokus usaha bisnis kami.

Paket Promo Haji Plus di Jakarta Alhijaz Indowisata didirikan oleh Bapak H. Abdullah Djakfar Muksen pada tahun 2010. Merangkak dari kecil namun pasti, alhijaz berkembang pesat dari mulai penjualan tiket maskapai penerbangan domestik dan luar negeri, tour domestik hingga mengembangkan ke layanan jasa umrah dan haji khusus. Tak hanya itu, pada tahun 2011 Alhijaz kembali membuka divisi baru yaitu provider visa umrah yang bekerja sama dengan muassasah arab saudi. Sebagai komitmen legalitas perusahaan dalam melayani pelanggan dan jamaah secara aman dan profesional, saat ini perusahaan telah mengantongi izin resmi dari pemerintah melalui kementrian pariwisata, lalu izin haji khusus dan umrah dari kementrian agama. Selain itu perusahaan juga tergabung dalam komunitas organisasi travel nasional seperti Asita, komunitas penyelenggara umrah dan haji khusus yaitu HIMPUH dan organisasi internasional yaitu IATA.

Paket Promo Haji Plus di Jakarta

Saat Anda sudah melewati masa-masa mendaftar dan membayar untuk paket umroh di perusahaan travel yang lumayan cukup besar, Anda

Saat Anda sudah melewati masa-masa mendaftar dan membayar untuk paket umroh di perusahaan travel yang lumayan cukup besar, Anda biasanya juga akan mendapat kesempatan untuk dapat ikut manasik umroh. Ini adalah bentuk simulasi agar Anda tidak kagok dan bingung saat sudah berada di tanah suci. Walaupun nantinya Anda juga akan berangkat bersama rombongan dan dibekali oleh buku petunjuk untuk ritual umroh di sana, tetap saja Anda juga harus berlatih agar tidak merasa kagok dan gugup.

Perusahaan pengelola perjalanan umroh yang berkualitas biasanya akan menyediakan manasik umroh sebagai bagian dari pembayaran yang sudah Anda lakukan, dan manasik ini biasanya juga bisa diikuti saat Anda sedang menunggu waktu untuk akhirnya bisa berangkat ke tanah suci. Materi dalam Manasik Umroh

Berikut adalah yang Anda akan pelajari saat manasik umroh:
• Tata cara berpakaian saat umroh, termasuk cara melilitkan kain ihram untuk lelaki, serta tata tertib yang harus dipatuhi saat memilih dan mengenakan pakaian untuk berbagai tahap umroh.
• Jalur yang harus dilalui saat Anda melakukan ritual umroh; ini juga termasuk permulaan jalur yaitu tempat miqat dan tempat untuk dapat mengganti pakaian dengan pakaian ihram di Bir Ali, jalur perjalanan ke Mekah hingga Ka’bah, dan bukit Shofa dan Marwa.
• Ritual umroh juga termasuk cara tawaf dan ritual Sa’I di Shofa dan Marwah, serta solat dua rakaat di Masjidil Haram.
• Semua bacaan umroh yang harus dihapalkan, termasuk bacaan saat mulai berjalan kaki ke Mekah serta saat tawaf keliling Ka’bah.
• Manasik umroh juga termasuk pengetahuan akan semua larangan dan anjuran yang harus dipatuhi pada saat melakukan umroh, termasuk semua yang berkaitan dengan anjuran dan larangan berpakaian, merias diri, bergaul dengan suami atau istri, dan sebagainya.

Dalam manasik umroh, Anda juga akan mendapat semua petunjuk dan pelajaran yang patut diketahui tentang apa saja yang patut dilakukan di dalam kegiatan umroh, termasuk apa yang boleh, harus dan tidak boleh dilakukan. Jadi, jika Anda ingin mengalami umroh yang lebih berkesan, jangan segan untuk dapat menerima tawaran melakukan manasik haji oleh perusahaan travel umroh tempat Anda memesan paket perjalanan.

 

saco-indonesia.com, PT XL Axiata masih harus mengandalkan layanan data untuk dapat mendongkrak pendapatan tahun lalu. Layanan da

saco-indonesia.com, PT XL Axiata masih harus mengandalkan layanan data untuk dapat mendongkrak pendapatan tahun lalu. Layanan data XL telah memberikan kontribusi bagi pendapatan XL sebesar 23 persen dan tumbuh hingga 142 persen.

Pada 2012, layanan data XL hanya telah memberikan kontribusi bagi total pendapatan sebesar 20 persen. Saat ini total pelanggan data telah mencapai 33 juta pelanggan atau sekitar 54 persen dari total pelanggan XL.

Presiden Direktur XL Axiata Hasnul Suhaimi juga mengatakan pihaknya telah kembali berupaya untuk dapat menyiapkan yang terbaik kepada pelanggan dengan menyediakan layanan telekomunikasi selular terbaik terutama di data.

"XL sebagai salah satu pemimpin dalam mobile data telah menunjukkan kemampuan dan komitmennya dalam memberikan layanan data yang unggul kepada pelanggan," katanya, Kamis (6/2).

Sejumlah layanan data memang telah menjadi andalan anak usaha Axiata Berhad itu. Melalui kerja sama dengan Google, XL telah menawarkan Rumah Android untuk pengguna Android.

Android Starter Pack telah memberikan masa aktivasi kartu SIM yang lebih lama dan beragam aplikasi untuk dapat memberi kemudahan dan mendorong penggunaan mobile data.

Selain itu, XL meluncurkan XL BEBAS dengan tujuan untuk dapat meningkatkan layanan data yang terjangkau dan dapat menarik pengguna layanan data baru.

XL berkolaborasi dengan beragam aplikasi seperti KakaoTalk, Facebook dan WeChat di 2013 untuk dapat memperkuat posisi XL di komunitas jejaring sosial.

Hasnul melanjutkan selama 2013, smartphone telah tumbuh secara signifikan sebesar 21 persen dibandingkan dengan tahun lalu telah mencapai 10,2 juta pelanggan atau 17 persen dari total pelanggan.

Sesuai dengan strategi XL untuk tetap fokus dalam investasi pada jaringan infrastruktur layanan data, XL kembali melakukan ekspansi di infrastruktur jaringan data dengan menambah Node B dan BTS 2G diseluruh Indonesia.

XL juga telah memiliki 15.068 Node B, meningkat 15 persen dari tahun lalu. Total BTS 2G dan 3G sebanyak 44.946 BTS. XL kembali berupaya untuk dapat meningkatkan jaringan melalui modernisasi jaringan 2G dan 3G di mayoritas wilayah diseluruh Indonesia, dimana modernisasi ini akan dapat memberikan kecepatan jaringan yang lebih baik, kapasitas dan efisiensi energi.

Selain itu, produk-produk inovatif dan berbagai penawaran dikenalkan untuk dapat mengurangi penurunan dari layanan Suara dan SMS. Beragam produk tersebut seperti XLKu, SERBU, SMS Rp1 dan LINE SMS sticker untuk memenuhi kebutuhan pelanggan dan meningkatkan penggunaan dari layanan Suara dan SMS dari tahun lalu.

"Upaya untuk dapat meningkatkan posisi kita dan kecermatan eksekusi membuat XL dapat meningkatkan momentum operasionalnya dan mencatat pertumbuhan pelanggan sebesar 32 persen dan mengakhiri tahun 2013 dengan 60,5 juta pelanggan," katanya.


Editor : Dian Sukmawati

The bottle Mr. Sokolin famously broke was a 1787 Château Margaux, which was said to have belonged to Thomas Jefferson. Mr. Sokolin had been hoping to sell it for $519,750.

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United’s first-class and business fliers get Rhapsody, its high-minded in-flight magazine, seen here at its office in Brooklyn. Credit Sam Hodgson for The New York Times

Last summer at a writers’ workshop in Oregon, the novelists Anthony Doerr, Karen Russell and Elissa Schappell were chatting over cocktails when they realized they had all published work in the same magazine. It wasn’t one of the usual literary outlets, like Tin House, The Paris Review or The New Yorker. It was Rhapsody, an in-flight magazine for United Airlines.

It seemed like a weird coincidence. Then again, considering Rhapsody’s growing roster of A-list fiction writers, maybe not. Since its first issue hit plane cabins a year and a half ago, Rhapsody has published original works by literary stars like Joyce Carol Oates, Rick Moody, Amy Bloom, Emma Straub and Mr. Doerr, who won the Pulitzer Prize for fiction two weeks ago.

As airlines try to distinguish their high-end service with luxuries like private sleeping chambers, showers, butler service and meals from five-star chefs, United Airlines is offering a loftier, more cerebral amenity to its first-class and business-class passengers: elegant prose by prominent novelists. There are no airport maps or disheartening lists of in-flight meal and entertainment options in Rhapsody. Instead, the magazine has published ruminative first-person travel accounts, cultural dispatches and probing essays about flight by more than 30 literary fiction writers.

 

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Sean Manning, executive editor of Rhapsody, which publishes works by the likes of Joyce Carol Oates, Amy Bloom and Anthony Doerr, who won a Pulitzer Prize. Credit Sam Hodgson for The New York Times

 

An airline might seem like an odd literary patron. But as publishers and writers look for new ways to reach readers in a shaky retail climate, many have formed corporate alliances with transit companies, including American Airlines, JetBlue and Amtrak, that provide a captive audience.

Mark Krolick, United Airlines’ managing director of marketing and product development, said the quality of the writing in Rhapsody brings a patina of sophistication to its first-class service, along with other opulent touches like mood lighting, soft music and a branded scent.

“The high-end leisure or business-class traveler has higher expectations, even in the entertainment we provide,” he said.

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Some of Rhapsody’s contributing writers say they were lured by the promise of free airfare and luxury accommodations provided by United, as well as exposure to an elite audience of some two million first-class and business-class travelers.

“It’s not your normal Park Slope Community Bookstore types who read Rhapsody,” Mr. Moody, author of the 1994 novel “The Ice Storm,” who wrote an introspective, philosophical piece about traveling to the Aran Islands of Ireland for Rhapsody, said in an email. “I’m not sure I myself am in that Rhapsody demographic, but I would like them to buy my books one day.”

In addition to offering travel perks, the magazine pays well and gives writers freedom, within reason, to choose their subject matter and write with style. Certain genres of flight stories are off limits, naturally: no plane crashes or woeful tales of lost luggage or rude flight attendants, and nothing too risqué.

“We’re not going to have someone write about joining the mile-high club,” said Jordan Heller, the editor in chief of Rhapsody. “Despite those restrictions, we’ve managed to come up with a lot of high-minded literary content.”

Guiding writers toward the right idea occasionally requires some gentle prodding. When Rhapsody’s executive editor asked Ms. Russell to contribute an essay about a memorable flight experience, she first pitched a story about the time she was chaperoning a group of teenagers on a trip to Europe, and their delayed plane sat at the airport in New York for several hours while other passengers got progressively drunker.

“He pointed out that disaster flights are not what people want to read about when they’re in transit, and very diplomatically suggested that maybe people want to read something that casts air travel in a more positive light,” said Ms. Russell, whose novel “Swamplandia!” was a finalist for the 2012 Pulitzer Prize.

She turned in a nostalgia-tinged essay about her first flight on a trip to Disney World when she was 6. “The Magic Kingdom was an anticlimax,” she wrote. “What ride could compare to that first flight?”

Ms. Oates also wrote about her first flight, in a tiny yellow propeller plane piloted by her father. The novelist Joyce Maynard told of the constant disappointment of never seeing her books in airport bookstores and the thrill of finally spotting a fellow plane passenger reading her novel “Labor Day.” Emily St. John Mandel, who was a finalist for the National Book Award in fiction last year, wrote about agonizing over which books to bring on a long flight.

“There’s nobody that’s looked down their noses at us as an in-flight magazine,” said Sean Manning, the magazine’s executive editor. “As big as these people are in the literary world, there’s still this untapped audience for them of luxury travelers.”

United is one of a handful of companies showcasing work by literary writers as a way to elevate their brands and engage customers. Chipotle has printed original work from writers like Toni Morrison, Jeffrey Eugenides and Barbara Kingsolver on its disposable cups and paper bags. The eyeglass company Warby Parker hosts parties for authors and sells books from 14 independent publishers in its stores.

JetBlue offers around 40 e-books from HarperCollins and Penguin Random House on its free wireless network, allowing passengers to read free samples and buy and download books. JetBlue will start offering 11 digital titles from Simon & Schuster soon. Amtrak recently forged an alliance with Penguin Random House to provide free digital samples from 28 popular titles, which passengers can buy and download over Amtrak’s admittedly spotty wireless service.

Amtrak is becoming an incubator for literary talent in its own right. Last year, it started a residency program, offering writers a free long-distance train trip and complimentary food. More than 16,000 writers applied and 24 made the cut.

Like Amtrak, Rhapsody has found that writers are eager to get onboard. On a rainy spring afternoon, Rhapsody’s editorial staff sat around a conference table discussing the June issue, which will feature an essay by the novelist Hannah Pittard and an unpublished short story by the late Elmore Leonard.

“Do you have that photo of Elmore Leonard? Can I see it?” Mr. Heller, the editor in chief, asked Rhapsody’s design director, Christos Hannides. Mr. Hannides slid it across the table and noted that they also had a photograph of cowboy spurs. “It’s very simple; it won’t take away from the literature,” he said.

Rhapsody’s office, an open space with exposed pipes and a vaulted brick ceiling, sits in Dumbo at the epicenter of literary Brooklyn, in the same converted tea warehouse as the literary journal N+1 and the digital publisher Atavist. Two of the magazine’s seven staff members hold graduate degrees in creative writing. Mr. Manning, the executive editor, has published a memoir and edited five literary anthologies.

Mr. Manning said Rhapsody was conceived from the start as a place for literary novelists to write with voice and style, and nobody had been put off that their work would live in plane cabins and airport lounges.

Still, some contributors say they wish the magazine were more widely circulated.

“I would love it if I could read it,” said Ms. Schappell, a Brooklyn-based novelist who wrote a feature story for Rhapsody’s inaugural issue. “But I never fly first class.”

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