Paket Haji Murah di Padang Hubungi 021-9929-2337 atau 0821-2406-5740 Alhijaz Indowisata adalah perusahaan swasta nasional yang bergerak di bidang tour dan travel. Nama Alhijaz terinspirasi dari istilah dua kota suci bagi umat islam pada zaman nabi Muhammad saw. yaitu Makkah dan Madinah. Dua kota yang penuh berkah sehingga diharapkan menular dalam kinerja perusahaan. Sedangkan Indowisata merupakan akronim dari kata indo yang berarti negara Indonesia dan wisata yang menjadi fokus usaha bisnis kami.

Paket Haji Murah di Padang Alhijaz Indowisata didirikan oleh Bapak H. Abdullah Djakfar Muksen pada tahun 2010. Merangkak dari kecil namun pasti, alhijaz berkembang pesat dari mulai penjualan tiket maskapai penerbangan domestik dan luar negeri, tour domestik hingga mengembangkan ke layanan jasa umrah dan haji khusus. Tak hanya itu, pada tahun 2011 Alhijaz kembali membuka divisi baru yaitu provider visa umrah yang bekerja sama dengan muassasah arab saudi. Sebagai komitmen legalitas perusahaan dalam melayani pelanggan dan jamaah secara aman dan profesional, saat ini perusahaan telah mengantongi izin resmi dari pemerintah melalui kementrian pariwisata, lalu izin haji khusus dan umrah dari kementrian agama. Selain itu perusahaan juga tergabung dalam komunitas organisasi travel nasional seperti Asita, komunitas penyelenggara umrah dan haji khusus yaitu HIMPUH dan organisasi internasional yaitu IATA.

Paket Haji Murah di Padang

Nama Cirebon memang tidak dapat dilepaskan dari kegiatan penyebaran agama Islam di Jawa Barat. Cirebon juga disebut-sebut sebaga

Nama Cirebon memang tidak dapat dilepaskan dari kegiatan penyebaran agama Islam di Jawa Barat. Cirebon juga disebut-sebut sebagai salah satu Kota Sunan, karena di kota inilah Sunan Gunung Jati menyebarkan ajaran Islam.

Bahkan makam Sunan Gunung Jati yang dikenal pula dengan panggilan Syekh Syarif Hidayatullah (1448 - 1568), terdapat di Cirebon, tepatnya di Desa Astana, Kec. Gunung Jati, Kab. Cirebon. Makam tersebut hanya sekitar tiga km sebelah utara Kota Cirebon.

Kawasan makam Sunan Gunung Jati memiliki lahan seluas lima hektare. Selain tempat utama untuk para peziarah, kawasan itu juga dilengkapi tempat pedagang kaki lima, alun-alun, lapangan parkir, dan fasilitas umum lainnya.

Cukup banyak warisan Sunan Gunung Jati sebagai seorang wali Allah. Di antaranya Masjid Merah di Kota Cirebon dan Masjid Sunan Gunung Jati di area Keraton Cirebon. Masjid Merah yang telah berusia 500 tahun ini, kental akan corak akulturasi budaya Jawa dan Cina.

Kondisi itu setidaknya dapat dilihat dari pemakaian keramik Cina sebagai ornamen interior masjid. Cukup banyak ditemukan keramik di masjid yang terletak di perkampungan Arab, Jln. Panjunan Cirebon tersebut.

Lalu mengapa masjid yang banyak dikunjungi peziarah terutama pada 27 Ramadan ini disebut Masjid Merah? Mungkin salah satu alasannya, hampir seluruh bangunan masjid ini memang berwarna merah. Warna ini sangat mendominasi masjid yang sejak awal berdiri sampai sekarang belum belum mengalami perubahan ini.

Saat memasukinya, tampak gerbang berbentuk pura. Keunikan lain dari Masjid Merah adalah dinding-dindingnya yang ditempeli berbagai jenis keramik Cina. Konon keramik-keramik tersebut hadiah dari seorang putri Cina bernama Khong In, yang kemudian diperistri Sunan Gunung Jati pada tahun 1460.

Saat Ramadan seperti sekarang ini, Masjid Merah selalu menjadi tempat wisata rohani, bukan hanya bagi warga Kota Cirebon. Sebab banyak pula pengunjung yang datang dari berbagai kota lain di Jawa Barat.

Bahkan saat memasuki hari ke-27 Ramadan, masjid ini tak pernah sepi pengunjung. Keberadaannya menjadi magnet bagi pengunjung, terutama umat muslim untuk datang dan salat.

Tak heran bila salah satu peninggalan fenomenal Sunan Gunung Jati ini dari waktu ke waktu tak pernah sepi pengunjung. Untuk itu, rugi rasanya berkunjung ke Cirebon tanpa mampir ke masjid yang terletak di perkampungan Arab ini.

Azan pitu

Selain Masjid Merah, peninggalan lainnya dari Sunan Gunung Jati yang kerap dikunjungi yaitu Masjid Sunan Gunung Jati. Keunikan masjid yang dikenal pula dengan sebutan Masjid Sang Ciptarasa ini adalah tiang tatal. Dari 74 tiang yang ada di dalam masjid, salah satunya dirangkai sendiri oleh Sunan Gunung Jati dari potongan-potongan kayu sisa atau tatal.

Uniknya, tiang tatal tersebut penuh dengan makna filosofis. Salah satunya filosofi tentang persatuan yang kokoh, walaupun terdiri atas potongan-potongan yang berbeda. Tentu saja filosofi tersebut menandakan betapa Sunan Gunung Jati kala itu memiliki wawasan ke depan.

Keunikan lainnya, bila biasanya azan yang menandai datangnya waktu salat dikumandangkan satu orang muazin, di Masjid Sunan Gunung Jati ini, azan dikumandangkan tujuh muazin sekaligus atau azan pitu.

Sejatinya, di masjid yang berusia ratusan tahun ini, berbagai tradisi peninggalan salah satu sunan dari sembilan Sunan Walisongo masih tetap dilestarikan. Termasuk upaya melestarikan azan pitu.

Biasanya azan pitu ini dilakukan saat datangnya waktu salat Jumat. Ketika salat Jumat dimulai, tujuh muazin pun berbaris. Lalu serentak mereka mengumandangkan azan. Memanggil para jemaah untuk menunaikan kewajiban salat Jumat.

Sama seperti azan di masjid-masjid lain, azan pitu di Masjid Sunan Gunung Jati ini tidak mengalami perubahan lafal. Namun karena dikumandangkan tujuh muazin sekaligus, suaranya terasa lebih menggema.

Selain itu, Masjid Sang Ciptarasa juga dikenal memiliki air sumur yang bertuah. Warga sekitar banyak yang mencari berkah, menggunakan air tersebut untuk mencuci muka, bahkan ada juga yang membawanya pulang sebagai obat.

Percaya atau tidak, kembali pada diri masing-masing. Namun yang jelas, jangan lupa mengunjungi Masjid Sang Ciptarasa bila berkunjung ke Cirebon. Sebab pengalaman spiritual yang diperoleh di masjid ini akan terasa berbeda dan semakin melengkapi kegiatan wisata Ramadan di Cirebon. Selamat mencoba.

Sumber : http://www.bandung.eu

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saco-indonesia.com, Meskipun masih berstatus awas, sebagian warga yang berdampak letusan Gunung Kelud sudah kembali pulang menin

saco-indonesia.com, Meskipun masih berstatus awas, sebagian warga yang berdampak letusan Gunung Kelud sudah kembali pulang meninggalkan posko pengungsian. Para warga telah meyakini, kondisi Gunung Kelud kini sudah aman dan tidak akan meletus kembali.

Saharjo yang berusia (47) tahun , salah satu warga Laharpang, Kecamatan Puncu, Kabupaten Kediri, ini juga mengaku tidak betah berlama-lama di pengungsian. Ia pun telah memutuskan untuk membawa istri dan tiga anaknya kembali ke rumah.

"Sudah aman mas, biasanya kalau Gunung Kelud itu meletus hanya sekali. Sesudahnya tidak akan ada letusan lagi," katanya, Selasa (18/2) .

Saharjo juga mengaku, jarak rumahnya dan Gunung Kelud sekitar 6 kilometer. Tentu saja hal itu telah masih mendapat larangan. Sebab radius amannya adalah 10 kilometer. "Yang lain sudah pada pulang soalnya. Habisnya kan harus beres-beres rumah," ucapnya.

Selain Sahrjo, Puji yang berusia (24) tahun juga mengaku sudah balik ke rumah sejak Minggu (16/2) malam lalu. Puji juga menjelaskan, ia diminta orangtuanya untuk membersihkan pasir yang telah menimbun pekarangan dan genteng rumah.

"Minggu udah pulang, disuruh sama orangtua buat beres-beres rumah. Sekarang keluarga sudah pulang semua. Habis kalau di pengungsian bosan," ucapnya.

hampir seluruh warga RT 4/2 Laharpang, Kecamatan Puncu, Kabupaten Kediri, telah terlihat sibuk melakukan perbaikan rumah-rumah yang hancur diterjang erupsi Gunung Kelud.

Namun demikian, warga Laharpang ini, masih membutuhkan bantuan berupa pakaian dan selimut lantaran barang-barang di dalam rumah tidak sempat diselamatkan pada saat gunung dengan tinggi 1.731 mdpl itu meletus.


Editor : Dian Sukmawati

Ms. Plisetskaya, renowned for her fluidity of movement, expressive acting and willful personality, danced on the Bolshoi stage well into her 60s, but her life was shadowed by Stalinism.

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United’s first-class and business fliers get Rhapsody, its high-minded in-flight magazine, seen here at its office in Brooklyn. Credit Sam Hodgson for The New York Times

Last summer at a writers’ workshop in Oregon, the novelists Anthony Doerr, Karen Russell and Elissa Schappell were chatting over cocktails when they realized they had all published work in the same magazine. It wasn’t one of the usual literary outlets, like Tin House, The Paris Review or The New Yorker. It was Rhapsody, an in-flight magazine for United Airlines.

It seemed like a weird coincidence. Then again, considering Rhapsody’s growing roster of A-list fiction writers, maybe not. Since its first issue hit plane cabins a year and a half ago, Rhapsody has published original works by literary stars like Joyce Carol Oates, Rick Moody, Amy Bloom, Emma Straub and Mr. Doerr, who won the Pulitzer Prize for fiction two weeks ago.

As airlines try to distinguish their high-end service with luxuries like private sleeping chambers, showers, butler service and meals from five-star chefs, United Airlines is offering a loftier, more cerebral amenity to its first-class and business-class passengers: elegant prose by prominent novelists. There are no airport maps or disheartening lists of in-flight meal and entertainment options in Rhapsody. Instead, the magazine has published ruminative first-person travel accounts, cultural dispatches and probing essays about flight by more than 30 literary fiction writers.

 

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Sean Manning, executive editor of Rhapsody, which publishes works by the likes of Joyce Carol Oates, Amy Bloom and Anthony Doerr, who won a Pulitzer Prize. Credit Sam Hodgson for The New York Times

 

An airline might seem like an odd literary patron. But as publishers and writers look for new ways to reach readers in a shaky retail climate, many have formed corporate alliances with transit companies, including American Airlines, JetBlue and Amtrak, that provide a captive audience.

Mark Krolick, United Airlines’ managing director of marketing and product development, said the quality of the writing in Rhapsody brings a patina of sophistication to its first-class service, along with other opulent touches like mood lighting, soft music and a branded scent.

“The high-end leisure or business-class traveler has higher expectations, even in the entertainment we provide,” he said.

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Some of Rhapsody’s contributing writers say they were lured by the promise of free airfare and luxury accommodations provided by United, as well as exposure to an elite audience of some two million first-class and business-class travelers.

“It’s not your normal Park Slope Community Bookstore types who read Rhapsody,” Mr. Moody, author of the 1994 novel “The Ice Storm,” who wrote an introspective, philosophical piece about traveling to the Aran Islands of Ireland for Rhapsody, said in an email. “I’m not sure I myself am in that Rhapsody demographic, but I would like them to buy my books one day.”

In addition to offering travel perks, the magazine pays well and gives writers freedom, within reason, to choose their subject matter and write with style. Certain genres of flight stories are off limits, naturally: no plane crashes or woeful tales of lost luggage or rude flight attendants, and nothing too risqué.

“We’re not going to have someone write about joining the mile-high club,” said Jordan Heller, the editor in chief of Rhapsody. “Despite those restrictions, we’ve managed to come up with a lot of high-minded literary content.”

Guiding writers toward the right idea occasionally requires some gentle prodding. When Rhapsody’s executive editor asked Ms. Russell to contribute an essay about a memorable flight experience, she first pitched a story about the time she was chaperoning a group of teenagers on a trip to Europe, and their delayed plane sat at the airport in New York for several hours while other passengers got progressively drunker.

“He pointed out that disaster flights are not what people want to read about when they’re in transit, and very diplomatically suggested that maybe people want to read something that casts air travel in a more positive light,” said Ms. Russell, whose novel “Swamplandia!” was a finalist for the 2012 Pulitzer Prize.

She turned in a nostalgia-tinged essay about her first flight on a trip to Disney World when she was 6. “The Magic Kingdom was an anticlimax,” she wrote. “What ride could compare to that first flight?”

Ms. Oates also wrote about her first flight, in a tiny yellow propeller plane piloted by her father. The novelist Joyce Maynard told of the constant disappointment of never seeing her books in airport bookstores and the thrill of finally spotting a fellow plane passenger reading her novel “Labor Day.” Emily St. John Mandel, who was a finalist for the National Book Award in fiction last year, wrote about agonizing over which books to bring on a long flight.

“There’s nobody that’s looked down their noses at us as an in-flight magazine,” said Sean Manning, the magazine’s executive editor. “As big as these people are in the literary world, there’s still this untapped audience for them of luxury travelers.”

United is one of a handful of companies showcasing work by literary writers as a way to elevate their brands and engage customers. Chipotle has printed original work from writers like Toni Morrison, Jeffrey Eugenides and Barbara Kingsolver on its disposable cups and paper bags. The eyeglass company Warby Parker hosts parties for authors and sells books from 14 independent publishers in its stores.

JetBlue offers around 40 e-books from HarperCollins and Penguin Random House on its free wireless network, allowing passengers to read free samples and buy and download books. JetBlue will start offering 11 digital titles from Simon & Schuster soon. Amtrak recently forged an alliance with Penguin Random House to provide free digital samples from 28 popular titles, which passengers can buy and download over Amtrak’s admittedly spotty wireless service.

Amtrak is becoming an incubator for literary talent in its own right. Last year, it started a residency program, offering writers a free long-distance train trip and complimentary food. More than 16,000 writers applied and 24 made the cut.

Like Amtrak, Rhapsody has found that writers are eager to get onboard. On a rainy spring afternoon, Rhapsody’s editorial staff sat around a conference table discussing the June issue, which will feature an essay by the novelist Hannah Pittard and an unpublished short story by the late Elmore Leonard.

“Do you have that photo of Elmore Leonard? Can I see it?” Mr. Heller, the editor in chief, asked Rhapsody’s design director, Christos Hannides. Mr. Hannides slid it across the table and noted that they also had a photograph of cowboy spurs. “It’s very simple; it won’t take away from the literature,” he said.

Rhapsody’s office, an open space with exposed pipes and a vaulted brick ceiling, sits in Dumbo at the epicenter of literary Brooklyn, in the same converted tea warehouse as the literary journal N+1 and the digital publisher Atavist. Two of the magazine’s seven staff members hold graduate degrees in creative writing. Mr. Manning, the executive editor, has published a memoir and edited five literary anthologies.

Mr. Manning said Rhapsody was conceived from the start as a place for literary novelists to write with voice and style, and nobody had been put off that their work would live in plane cabins and airport lounges.

Still, some contributors say they wish the magazine were more widely circulated.

“I would love it if I could read it,” said Ms. Schappell, a Brooklyn-based novelist who wrote a feature story for Rhapsody’s inaugural issue. “But I never fly first class.”

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