Harga Paket Umroh Bersama Mamah Dedeh di Jakarta Utara Hubungi 021-9929-2337 atau 0821-2406-5740 Alhijaz Indowisata adalah perusahaan swasta nasional yang bergerak di bidang tour dan travel. Nama Alhijaz terinspirasi dari istilah dua kota suci bagi umat islam pada zaman nabi Muhammad saw. yaitu Makkah dan Madinah. Dua kota yang penuh berkah sehingga diharapkan menular dalam kinerja perusahaan. Sedangkan Indowisata merupakan akronim dari kata indo yang berarti negara Indonesia dan wisata yang menjadi fokus usaha bisnis kami.

Harga Paket Umroh Bersama Mamah Dedeh di Jakarta Utara Alhijaz Indowisata didirikan oleh Bapak H. Abdullah Djakfar Muksen pada tahun 2010. Merangkak dari kecil namun pasti, alhijaz berkembang pesat dari mulai penjualan tiket maskapai penerbangan domestik dan luar negeri, tour domestik hingga mengembangkan ke layanan jasa umrah dan haji khusus. Tak hanya itu, pada tahun 2011 Alhijaz kembali membuka divisi baru yaitu provider visa umrah yang bekerja sama dengan muassasah arab saudi. Sebagai komitmen legalitas perusahaan dalam melayani pelanggan dan jamaah secara aman dan profesional, saat ini perusahaan telah mengantongi izin resmi dari pemerintah melalui kementrian pariwisata, lalu izin haji khusus dan umrah dari kementrian agama. Selain itu perusahaan juga tergabung dalam komunitas organisasi travel nasional seperti Asita, komunitas penyelenggara umrah dan haji khusus yaitu HIMPUH dan organisasi internasional yaitu IATA.

Harga Paket Umroh Bersama Mamah Dedeh di Jakarta Utara

Ada 5 elemen penting yang juga harus diperhatikan dalam menentukan kesuksesan suatu pengecatan yaitu : 1. Pilihlah cat yang b

Ada 5 elemen penting yang juga harus diperhatikan dalam menentukan kesuksesan suatu pengecatan yaitu :

1. Pilihlah cat yang berkualitas
Dengan menggunakan cat yang bermutu, akan dapat mempermudah Anda dalam pengerjaannya, memberikan daya tutup yang lebih baik, dan telah memiliki daya tahan yang lebih lama. Karakter penting lainnya yang menentukan kualitas suatu cat adalah : daya rekat, daya sebar, scrub resistance (daya tahan terhadap gosokan ), burnish resistance ( daya tahan dari terbakar ), serta mudah dibersihkan dari noda. Cat yang berkualitas adalah yang menggunakan bahan - bahan yang ramah lingkungan, tidak menggunakan tambahan merkuri dan timah hitam yang mempunyai dampak berbahaya bagi manusia dan lingkungan.

2. Gunakan peralatan pengecatan yang baik
Peralatan yang baik akan dapat membuat persiapan permukaan dan proses pengaplikasian cat lebih mudah dan aman. Kuas dan rol yang bermutu akan dapat menghasilkan permukaan yang lebih halus, dan tidak meninggalkan bristles ( gelembung -gelembung kecil ), sehingga dapat mempercepat waktu pengerjaan. Peralatan lain yang penting adalah tangga yang kokoh dengan pegangan tangan untuk keamanan Anda.

3. Persiapkan permukaan yang akan dicat dengan benar
Cat juga merupakan suatu lapisan yang sangat tipis. Oleh karena itu keberhasilan suatu pengecatan sangat ditentukan oleh persiapan permukaan yang benar. Perbaikilah kondisi tembok seperti retak - retak atau berlubang, sebelum Anda mengecat. Juga kondisi kelembaban serta kebersihan tembok harus Anda perhatikan.

4. Tutupi ruangan atau permukaan yang  tidak ingin dicat
      Anda akan dapat mengerjakan proses pengecatan dengan lebih cepat, tanpa harus kuatir akan noda/bercak -bercak cat, dimeja, kursi, gagang pintu dan barang-barang lainnya. Juga akan mempercepat dan memper-mudah proses pembersihan setelah mengecat.

5. Lakukan pengecatan pada kondisi cuaca yang baik
Untuk bisa mendapatkan hasil yang terbaik. ikuti selalu petunjuk yang direkomendasikan oleh produsen cat mengenai suhu maksimum dan minimum, serta tingkat kelembaban udara yang disarankan.Untuk pengecatan dianjurkan dilakukan pada saat cuaca cerah dan tidak di musim huian .

 

saco-indonesia.com, Fungsi Lemari Arsip Fungsi Lemari Arsip. Keseriusan dalam pengelolaan file dan arsip di kantor juga sa

saco-indonesia.com,

Fungsi Lemari Arsip

Fungsi Lemari Arsip. Keseriusan dalam pengelolaan file dan arsip di kantor juga sangatlah penting untuk dapat menghindari kerusakan yang mungkin dapat terjadi kapan saja. Kepastian bahwa dokumen perusahaan anda sudah dalam penanganan yang baik sangatlah penting untuk kelangsungan pekerjaan berjalan dengan lancar. Arsip yang bertumpuk di meja kerja juga sangat mengganggu aktifitas pekerjaan sehingga dapat memperlambat produktifitas karyawan dalam mengerjakan pekerjaannya.

Untuk itulah sangat diperlukan adanya sebuah lemari arsip yang mampu untuk menampung semua file arsip yang ada sehingga tidak lagi berserakan di atas meja kerja. Lemari tempat penyimpanan arsip ini telah terdiri dari rak-rak yang bertingkat. Setiap tingkatan rak juga dapat ditempatkan arsip-arsip sesuai dengan urutan tanggal ataupun urutan nama file tersebut. Penyusunan yang rapi dapat memudahkan pencarian ketika hendak digunakan kembali sehingga tidak membuang-buang waktu dalam pencarian.

Lemari arsip yang digunakan untuk dapat menyimpan arsip dan dokumen penting perusahaan juga berfungsi sebagai tempat perlindungan dari ancaman kerusakan yang berasal dari lingkungan sekitar seperti bahaya kebakaran. Lemari ini mampu untuk menahan panas yang ditimbulkan oleh api sehingga tidak membakar file dan dokumen yang tersimpan di dalamnya.

Terbuat dari bahan plat metal yang berkualitas serta dapat dilindungi oleh lapisan cat yang tahan air sehingga terhindar dari ancaman keropos yang diakibatkan karena berkarat. Mampu menjaga arsip dalam waktu yang lama bahkan sampai bertahun-tahun tidak mengalami kerusakan yang berarti untuk dapat dipergunakan kembali.

Kemampuan lemari arsip untuk dapat menyimpan dokumen penting perusahaan juga merupakan kebutuhan yang paling utama dan sangat vital. Pengorganisasian semua file yang dimiliki perusahaan sangat membantu sekali dalam urusan surat menyurat karena memudahkan dalam pencarian kembali file-file yang telah lama tersimpan.

Waktu dan tenaga yang bisa dihemat memberikan kemampuan karyawan untuk bekerja lebih baik lagi dan bisa lebih dioptimalkan produktifitasnya. Kalau semua terorganisir dengan baik maka perusahaan pun akan semakin berkembang dengan baik dan menghasilkan keuntungan yang sudah pasti akan meningkat juga karena kelancaran administrasi sudah terjamin tidak akan berantakan lagi. Lemari tempat penyimpanan arsip penting kantor memberikan kenyamanan dalam hal bekerja melaksanakan tugas.


Editor : Dian Sukmawati

Late in April, after Native American actors walked off in disgust from the set of Adam Sandler’s latest film, a western sendup that its distributor, Netflix, has defended as being equally offensive to all, a glow of pride spread through several Native American communities.

Tantoo Cardinal, a Canadian indigenous actress who played Black Shawl in “Dances With Wolves,” recalled thinking to herself, “It’s come.” Larry Sellers, who starred as Cloud Dancing in the 1990s television show “Dr. Quinn, Medicine Woman,” thought, “It’s about time.” Jesse Wente, who is Ojibwe and directs film programming at the TIFF Bell Lightbox in Toronto, found himself encouraged and surprised. There are so few film roles for indigenous actors, he said, that walking off the set of a major production showed real mettle.

But what didn’t surprise Mr. Wente was the content of the script. According to the actors who walked off the set, the film, titled “The Ridiculous Six,” included a Native American woman who passes out and is revived after white men douse her with alcohol, and another woman squatting to urinate while lighting a peace pipe. “There’s enough history at this point to have set some expectations around these sort of Hollywood depictions,” Mr. Wente said.

The walkout prompted a rhetorical “What do you expect from an Adam Sandler film?,” and a Netflix spokesman said that in the movie, blacks, Mexicans and whites were lampooned as well. But Native American actors and critics said a broader issue was at stake. While mainstream portrayals of native peoples have, Mr. Wente said, become “incrementally better” over the decades, he and others say, they remain far from accurate and reflect a lack of opportunities for Native American performers. What’s more, as Native Americans hunger for representation on screen, critics say the absence of three-dimensional portrayals has very real off-screen consequences.

“Our people are still healing from historical trauma,” said Loren Anthony, one of the actors who walked out. “Our youth are still trying to figure out who they are, where they fit in this society. Kids are killing themselves. They’re not proud of who they are.” They also don’t, he added, see themselves on prime time television or the big screen. Netflix noted while about five people walked off the “The Ridiculous Six” set, 100 or so Native American actors and extras stayed.

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But in interviews, nearly a dozen Native American actors and film industry experts said that Mr. Sandler’s humor perpetuated decades-old negative stereotypes. Mr. Anthony said such depictions helped feed the despondency many Native Americans feel, with deadly results: Native Americans have the highest suicide rate out of all the country’s ethnicities.

The on-screen problem is twofold, Mr. Anthony and others said: There’s a paucity of roles for Native Americans — according to the Screen Actors Guild in 2008 they accounted for 0.3 percent of all on-screen parts (those figures have yet to be updated), compared to about 2 percent of the general population — and Native American actors are often perceived in a narrow way.

In his Peabody Award-winning documentary “Reel Injun,” the Cree filmmaker Neil Diamond explored Hollywood depictions of Native Americans over the years, and found they fell into a few stereotypical categories: the Noble Savage, the Drunk Indian, the Mystic, the Indian Princess, the backward tribal people futilely fighting John Wayne and manifest destiny. While the 1990 film “Dances With Wolves” won praise for depicting Native Americans as fully fleshed out human beings, not all indigenous people embraced it. It was still told, critics said, from the colonialists’ point of view. In an interview, John Trudell, a Santee Sioux writer, actor (“Thunderheart”) and the former chairman of the American Indian Movement, described the film as “a story of two white people.”

“God bless ‘Dances with Wolves,’ ” Michael Horse, who played Deputy Hawk in “Twin Peaks,” said sarcastically. “Even ‘Avatar.’ Someone’s got to come save the tribal people.”

Dan Spilo, a partner at Industry Entertainment who represents Adam Beach, one of today’s most prominent Native American actors, said while typecasting dogs many minorities, it is especially intractable when it comes to Native Americans. Casting directors, he said, rarely cast them as police officers, doctors or lawyers. “There’s the belief that the Native American character should be on reservations or riding a horse,” he said.

“We don’t see ourselves,” Mr. Horse said. “We’re still an antiquated culture to them, and to the rest of the world.”

Ms. Cardinal said she was once turned down for the role of the wife of a child-abusing cop because the filmmakers felt that casting her would somehow be “too political.”

Another sore point is the long run of white actors playing American Indians, among them Burt Lancaster, Rock Hudson, Audrey Hepburn and, more recently, Johnny Depp, whose depiction of Tonto in the 2013 film “Lone Ranger,” was viewed as racist by detractors. There are, of course, exceptions. The former A&E series “Longmire,” which, as it happens, will now be on Netflix, was roundly praised for its depiction of life on a Northern Cheyenne reservation, with Lou Diamond Phillips, who is of Cherokee descent, playing a Northern Cheyenne man.

Others also point to the success of Mr. Beach, who played a Mohawk detective in “Law & Order: Special Victims Unit” and landed a starring role in the forthcoming D C Comics picture “Suicide Squad.” Mr. Beach said he had come across insulting scripts backed by people who don’t see anything wrong with them.

“I’d rather starve than do something that is offensive to my ancestral roots,” Mr. Beach said. “But I think there will always be attempts to drawn on the weakness of native people’s struggles. The savage Indian will always be the savage Indian. The white man will always be smarter and more cunning. The cavalry will always win.”

The solution, Mr. Wente, Mr. Trudell and others said, lies in getting more stories written by and starring Native Americans. But Mr. Wente noted that while independent indigenous film has blossomed in the last two decades, mainstream depictions have yet to catch up. “You have to stop expecting for Hollywood to correct it, because there seems to be no ability or desire to correct it,” Mr. Wente said.

There have been calls to boycott Netflix but, writing for Indian Country Today Media Network, which first broke news of the walk off, the filmmaker Brian Young noted that the distributor also offered a number of films by or about Native Americans.

The furor around “The Ridiculous Six” may drive more people to see it. Then one of the questions that Mr. Trudell, echoing others, had about the film will be answered: “Who the hell laughs at this stuff?”

From sea to shining sea, or at least from one side of the Hudson to the other, politicians you have barely heard of are being accused of wrongdoing. There were so many court proceedings involving public officials on Monday that it was hard to keep up.

In Newark, two underlings of Gov. Chris Christie were arraigned on charges that they were in on the truly deranged plot to block traffic leading onto the George Washington Bridge.

Ten miles away, in Lower Manhattan, Dean G. Skelos, the leader of the New York State Senate, and his son, Adam B. Skelos, were arrested by the Federal Bureau of Investigation on accusations of far more conventional political larceny, involving a job with a sewer company for the son and commissions on title insurance and bond work.

The younger man managed to receive a 150 percent pay increase from the sewer company even though, as he said on tape, he “literally knew nothing about water or, you know, any of that stuff,” according to a criminal complaint the United States attorney’s office filed.

The success of Adam Skelos, 32, was attributed by prosecutors to his father’s influence as the leader of the Senate and as a potentate among state Republicans. The indictment can also be read as one of those unfailingly sad tales of a father who cannot stop indulging a grown son. The senator himself is not alleged to have profited from the schemes, except by being relieved of the burden of underwriting Adam.

The bridge traffic caper is its own species of crazy; what distinguishes the charges against the two Skeloses is the apparent absence of a survival instinct. It is one thing not to know anything about water or that stuff. More remarkable, if true, is the fact that the sewer machinations continued even after the former New York Assembly speaker, Sheldon Silver, was charged in January with taking bribes disguised as fees.

It was by then common gossip in political and news media circles that Senator Skelos, a Republican, the counterpart in the Senate to Mr. Silver, a Democrat, in the Assembly, could be next in line for the criminal dock. “Stay tuned,” the United States attorney, Preet Bharara said, leaving not much to the imagination.

Even though the cat had been unmistakably belled, Skelos father and son continued to talk about how to advance the interests of the sewer company, though the son did begin to use a burner cellphone, the kind people pay for in cash, with no traceable contracts.

That was indeed prudent, as prosecutors had been wiretapping the cellphones of both men. But it would seem that the burner was of limited value, because by then the prosecutors had managed to secure the help of a business executive who agreed to record calls with the Skeloses. It would further seem that the business executive was more attentive to the perils of pending investigations than the politician.

Through the end of the New York State budget negotiations in March, the hopes of the younger Skelos rested on his father’s ability to devise legislation that would benefit the sewer company. That did not pan out. But Senator Skelos did boast that he had haggled with Gov. Andrew M. Cuomo, a Democrat, in a successful effort to raise a $150 million allocation for Long Island to $550 million, for what the budget called “transformative economic development projects.” It included money for the kind of work done by the sewer company.

The lawyer for Adam Skelos said he was not guilty and would win in court. Senator Skelos issued a ringing declaration that he was unequivocally innocent.

THIS was also the approach taken in New Jersey by Bill Baroni, a man of great presence and eloquence who stopped outside the federal courthouse to note that he had taken risks as a Republican by bucking his party to support paid family leave, medical marijuana and marriage equality. “I would never risk my career, my job, my reputation for something like this,” Mr. Baroni said. “I am an innocent man.”

The lawyer for his co-defendant, Bridget Anne Kelly, the former deputy chief of staff to Mr. Christie, a Republican, said that she would strongly rebut the charges.

Perhaps they had nothing to do with the lane closings. But neither Mr. Baroni nor Ms. Kelly addressed the question of why they did not return repeated calls from the mayor of Fort Lee, N.J., begging them to stop the traffic tie-ups, over three days.

That silence was a low moment. But perhaps New York hit bottom faster. Senator Skelos, the prosecutors charged, arranged to meet Long Island politicians at the wake of Wenjian Liu, a New York City police officer shot dead in December, to press for payments to the company employing his son.

Sometimes it seems as though for some people, the only thing to be ashamed of is shame itself.

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