Agen Tiket Pesawat di Kutai

Agen Tiket Pesawat di Kutai Hubungi 021-9929-2337 atau 0821-2406-5740 Alhijaz Indowisata adalah perusahaan swasta nasional yang bergerak di bidang tour dan travel. Nama Alhijaz terinspirasi dari istilah dua kota suci bagi umat islam pada zaman nabi Muhammad saw. yaitu Makkah dan Madinah. Dua kota yang penuh berkah sehingga diharapkan menular dalam kinerja perusahaan. Sedangkan Indowisata merupakan akronim dari kata indo yang berarti negara Indonesia dan wisata yang menjadi fokus usaha bisnis kami.

Agen Tiket Pesawat di Kutai

Agen Tiket Pesawat di Malang

Agen Tiket Pesawat di Malang Hubungi 021-9929-2337 atau 0821-2406-5740 Alhijaz Indowisata adalah perusahaan swasta nasional yang bergerak di bidang tour dan travel. Nama Alhijaz terinspirasi dari istilah dua kota suci bagi umat islam pada zaman nabi Muhammad saw. yaitu Makkah dan Madinah. Dua kota yang penuh berkah sehingga diharapkan menular dalam kinerja perusahaan. Sedangkan Indowisata merupakan akronim dari kata indo yang berarti negara Indonesia dan wisata yang menjadi fokus usaha bisnis kami.

Agen Tiket Pesawat di Malang

Agen Tiket Pesawat di Yogyakarta

Agen Tiket Pesawat di Yogyakarta Hubungi 021-9929-2337 atau 0821-2406-5740 Alhijaz Indowisata adalah perusahaan swasta nasional yang bergerak di bidang tour dan travel. Nama Alhijaz terinspirasi dari istilah dua kota suci bagi umat islam pada zaman nabi Muhammad saw. yaitu Makkah dan Madinah. Dua kota yang penuh berkah sehingga diharapkan menular dalam kinerja perusahaan. Sedangkan Indowisata merupakan akronim dari kata indo yang berarti negara Indonesia dan wisata yang menjadi fokus usaha bisnis kami.

Agen Tiket Pesawat di Yogyakarta

Agen Tiket Pesawat di Bandung

Agen Tiket Pesawat di Bandung Hubungi 021-9929-2337 atau 0821-2406-5740 Alhijaz Indowisata adalah perusahaan swasta nasional yang bergerak di bidang tour dan travel. Nama Alhijaz terinspirasi dari istilah dua kota suci bagi umat islam pada zaman nabi Muhammad saw. yaitu Makkah dan Madinah. Dua kota yang penuh berkah sehingga diharapkan menular dalam kinerja perusahaan. Sedangkan Indowisata merupakan akronim dari kata indo yang berarti negara Indonesia dan wisata yang menjadi fokus usaha bisnis kami.

Agen Tiket Pesawat di Bandung

Agen Tiket Pesawat di Pontianak

Agen Tiket Pesawat di Pontianak Hubungi 021-9929-2337 atau 0821-2406-5740 Alhijaz Indowisata adalah perusahaan swasta nasional yang bergerak di bidang tour dan travel. Nama Alhijaz terinspirasi dari istilah dua kota suci bagi umat islam pada zaman nabi Muhammad saw. yaitu Makkah dan Madinah. Dua kota yang penuh berkah sehingga diharapkan menular dalam kinerja perusahaan. Sedangkan Indowisata merupakan akronim dari kata indo yang berarti negara Indonesia dan wisata yang menjadi fokus usaha bisnis kami.

Agen Tiket Pesawat di Pontianak

Agen Tiket Pesawat di Samarinda

Agen Tiket Pesawat di Samarinda Hubungi 021-9929-2337 atau 0821-2406-5740 Alhijaz Indowisata adalah perusahaan swasta nasional yang bergerak di bidang tour dan travel. Nama Alhijaz terinspirasi dari istilah dua kota suci bagi umat islam pada zaman nabi Muhammad saw. yaitu Makkah dan Madinah. Dua kota yang penuh berkah sehingga diharapkan menular dalam kinerja perusahaan. Sedangkan Indowisata merupakan akronim dari kata indo yang berarti negara Indonesia dan wisata yang menjadi fokus usaha bisnis kami.

Agen Tiket Pesawat di Samarinda

Agen Tiket Pesawat di Palembang

Agen Tiket Pesawat di Palembang Hubungi 021-9929-2337 atau 0821-2406-5740 Alhijaz Indowisata adalah perusahaan swasta nasional yang bergerak di bidang tour dan travel. Nama Alhijaz terinspirasi dari istilah dua kota suci bagi umat islam pada zaman nabi Muhammad saw. yaitu Makkah dan Madinah. Dua kota yang penuh berkah sehingga diharapkan menular dalam kinerja perusahaan. Sedangkan Indowisata merupakan akronim dari kata indo yang berarti negara Indonesia dan wisata yang menjadi fokus usaha bisnis kami.

Agen Tiket Pesawat di Palembang

Tersenyumlah dalam mengawali hari, karena itu menandakan bahwa kamu siap menghadapi hari dengan penuh semangat! http://goog

Tersenyumlah dalam mengawali hari, karena itu menandakan bahwa kamu siap menghadapi hari dengan penuh semangat!

http://google.com/search?q=desain+andree
Sesulit apapun masalah yang kita hadapi, ia harus diselesaikan, bukan dihindari.


Tegas akan diri sendiri, buang pikiran negatif dan lakukan yang baik. Kegelisahan hanya milik mereka yang putus asa.


Ketika kamu berharap yang terbaik tapi kamu hanya mendapat yg biasa, bersyukurlah kamu bukan yg terburuk.


Hal yang paling sulit adalah mengalahkan diri sendiri, Tapi itu bisa kamu mulai dengan memaafkan diri sendiri.


Sahabat adalah seseorang yg selalu membuat hatimu bahagia. Sahabat selalu membuat hidup jauh lebih menyenangkan.


Terkadang, yang diinginkan sebenarnya tidak dibutuhkan, sedangkan yang dibutuhkan tidak bisa dimiliki. Tapi Tuhan, tahu apa yang terbaik.


Maafkan diri sendiri. Jangan menyesali kesalahan. Maaf itu mengobati hati dan mendamaikan diri.


Jangan pernah iri dengan apa yg orang lain miliki, Setiap orang punya masalahnya sendiri, bersyukurlah untuk hidup ini.
untuk baca selengkap nya klik di sini

saco-indonesia.com, Salah seorang penggawa Liverpool, Lucas Leiva, telah meyakini bahwa Premier League musim ini berjalan dengan

saco-indonesia.com, Salah seorang penggawa Liverpool, Lucas Leiva, telah meyakini bahwa Premier League musim ini berjalan dengan amat seimbang.

Oleh karena itu ia juga percaya bahwa masih terlalu dini untuk bisa menentukan klub mana yang akan jadi juara atau terdegradasi ke divisi yang lebih rendah.

"Saya pikir terlalu dini untuk bisa mengatakan siapakah yang akan menjadi favorit untuk juara, sama seperti terlalu dini untuk bisa menyebut siapa yang akan terdegradasi musim ini," jelasnya menurut laporan Perform.

"Musim ini liga berjalan dengan begitu seimbang. Tim yang tidak pernah kehilangan poin di beberapa tahun terakhir, mulai telah mengalami hal tersebut," pungkas Leiva.

Liverpool saat ini tengah berada di puncak klasemen sementara Liga Inggris. Unggul selisih gol dari Arsenal, meski telah mengumpulkan poin yang sama dengan tim asuhan Arsene Wenger tersebut.


Editor : Dian Sukmawati

1. Pasanglah AC dengan menggunakan temperatur yang dikehendaki. Biasanya suhu disetel dimulai dari 18 sampai 32 derajat C. Kian

1. Pasanglah AC dengan menggunakan temperatur yang dikehendaki. Biasanya suhu disetel dimulai dari 18 sampai 32 derajat C. Kian rendah temperatur yang anda gunakan, maka kian dingin perputaran udara pada sparepart AC yang anda rasakan. Namun semakin rendah penyetelan mode dingin sparepart AC maka penggunaan daya listrik pun juga akan semakin besar. Untuk itu bijaklah dalam pemakaiannya.

2. Ketika akan menyalakan sparepart AC, tutuplah setiap ventilasi pintu juga jendela supaya udara dari luar tak masuk. Dengan begitu anda bisa merasakan kesejukan udara yang dihembuskan AC dengan maksimal. Apabila telah mati, untuk itu buka lagi ventilasi maupun pintu kamar lebar-lebar. Itu penting guna untuk penggantian udara pada ruangan supaya cenderung sehat serta Oke.

3. Tidak boleh ketinggalan agar senantiasa untuk membersihan pada peranti pendingin udara itu dengan rutin serta berkala. Apabila AC dipakai di ruangan serta area yang berlebih debu, dengan begitu pembersihan boleh dikerjakan dua kali sepekan. Apabila peranti pendingin udara itu dipakai di area maupun ruang yang sedikit berdebu, untuk itu pembersihan bisa dikerjakan 1 – 2 bulan sekali. Prioritaskan pembersihan di komponen penyaringan udara, sebab itu adalah alat penting supaya sparepart AC bisa hidup lebih dingin serta maksimal. Tidak boleh lupa cek freon, apakah tetap terisi penuh, kosong maupun bocor. Kerjakan pengecekannya kurang lebih enam bulan sekali. Jika anda tak mampu untuk membersihkannya seorang diri, hubungi saja bagian bantuan servis resmi sesuai brand AC yang anda miliki.

4. Gunakan Kapasitas serta desain peranti pas keperluan anda juga besar-kecilnya kamar. Pada kamar tidur, bisa memakai Kapasitas AC dimulai dari ½ sampai 1 PK. Pada ruang tamu boleh pakai 1,5 sampai 3 PK. So tidak boleh kekecilan ataupun terlalu besar. Pada ruang rapat yang luas, anda bisa menggunakan AC yang mempunyai model floor standing. Sementara pada ruang kantor yang luas, desain AC ceiling cassette pun lebih bagus.

5. Ketika akan membeli sparepart AC, ada bagusnya anda banyak mengadakan penelitian lebih dulu. Temukan fakta sedtil-detilnya mengenai AC yang Sekarang ini lagi beredar, dapat lewat katalog, surat kabar, majalah maupun hadir ketika ada pameran elektronik. Seleksi AC yang irit penggunaan listriknya, merek jelas, harganya tergapai serta bantuan servis yang layak. Makin AC yang anda gunakan irit listrik, itu artinya anda pun ikut mendukung irit penggunaan listrik serta mencintai lingkungan.

6. Gunakan sparepart AC yang sanggup menyaring udara dengan maksimal. Tidak cuma menghadirkan udara dingin semata, akan tetapi AC itu pun bisa menyaring udara yang tercemar oleh virus penyakit, patogen, maupun bakteri yang mengganggu bagi kesehatan badan anda. Ingatlah selalu bahwa dibalik kesejukan udara AC terdapat efek samping yang bisa membahayakan kesehatan anda bila digunakan dengan terus menerus.

alat mesin batako alat mesin batako cara membuat mesin cetak batako manual cara membuat mesin cetak batako sederhana cari me

alat mesin batako
alat mesin batako
cara membuat mesin cetak batako manual
cara membuat mesin cetak batako sederhana
cari mesin cetak batako bekas
dijual mesin batako bekas
foto mesin batako
harga alat mesin cetak batako
harga mesin batako
harga mesin batako bekas
harga mesin batako hidrolik
harga mesin batako hidrolis
harga mesin batako manual
harga mesin batako murah
harga mesin batako otomatis
harga mesin batako press
harga mesin batako press bekas
harga mesin batako press manual
harga mesin batako ringan
harga mesin batako semi otomatis
harga mesin batako surabaya
harga mesin cetak batako
harga mesin cetak batako 2012
harga mesin cetak batako 2013
harga mesin cetak batako bekas
harga mesin cetak batako dan paving
harga mesin cetak batako di bali
harga mesin cetak batako di surabaya
harga mesin cetak batako di yogyakarta
harga mesin cetak batako hidrolik
harga mesin cetak batako jakarta
harga mesin cetak batako manual
harga mesin cetak batako murah
harga mesin cetak batako otomatis
harga mesin cetak batako paving
harga mesin cetak batako pres
harga mesin cetak batako press
harga mesin cetak batako semi otomatis
harga mesin cetak batako surabaya
harga mesin cetak batako vibra
harga mesin cetak paving batako hidrolik
harga mesin paving batako
harga mesin pembuat batako manual
harga mesin pembuat batako press
harga mesin pembuat batako ringan
harga mesin pencetak batako manual
harga mesin potong bata ringan
harga mesin pres batako bekas
harga mesin pres batako hidrolik
harga mesin pres batako manual
harga mesin press batako hidrolik
harga mesin press batako manual
harga mesin press batako otomatis
jual mesin batako
jual mesin batako bekasi
jual mesin batako di surabaya
jual mesin batako hidrolik
jual mesin batako jakarta
jual mesin batako jogja
jual mesin batako manual
jual mesin batako manual jakarta
jual mesin batako murah
jual mesin batako otomatis
jual mesin batako press
jual mesin batako press bekas
jual mesin batako press manual
jual mesin batako press surabaya
jual mesin batako ringan
jual mesin batako surabaya
jual mesin cetak batako bekas
jual mesin cetak batako di bali
jual mesin cetak batako jakarta
jual mesin cetak batako manual
jual mesin cetak batako murah
jual mesin cetak batako otomatis
jual mesin cetak batako press
jual mesin cetak batako surabaya
jual mesin potong bata ringan
jual mesin pres batako bekas
jual mesin press batako bekas
jual mesin press batako dan paving block
jual mesin press batako jakarta
kredit mesin batako
menjual mesin cetak paving batako manual
mesin alat cetak batako
mesin batako
mesin batako bali
mesin batako bandung
mesin batako bekas
mesin batako bekasi
mesin batako china
mesin batako dan harganya
mesin batako dan paving
mesin batako di bali
mesin batako di solo
mesin batako diesel
mesin batako dijual
mesin batako getar
mesin batako harga
mesin batako hebel
mesin batako hidrolik
mesin batako hidrolis
mesin batako hydraulic
mesin batako jakarta
mesin batako jawa tengah
mesin batako jawa timur
mesin batako jogja
mesin batako klaten
mesin batako listrik
mesin batako malang
mesin batako manual
mesin batako modern
mesin batako multi block
mesin batako murah
mesin batako otomatis
mesin batako paving
mesin batako pontianak
mesin batako pres
mesin batako press
mesin batako press bekas
mesin batako press hidrolik
mesin batako press jakarta
mesin batako press manual
mesin batako press otomatis
mesin batako press surabaya
mesin batako press terbaru
mesin batako ringan
mesin batako rp
mesin batako second
mesin batako sederhana
mesin batako seken
mesin batako semarang
mesin batako semi otomatis
mesin batako solo
mesin batako sukabumi
mesin batako surabaya
mesin batako tangerang
mesin batako tasikmalaya
mesin batako tegal
mesin batako tokobagus
mesin batako vibra
mesin batako yogya
mesin batako yogyakarta
mesin batako youtube
mesin batako.com
mesin batu batako
mesin bikin batako
mesin buat batako
mesin cetak batako
mesin cetak batako bali
mesin cetak batako bandung
mesin cetak batako bekas
mesin cetak batako bekasi
mesin cetak batako dan paving
mesin cetak batako di bali
mesin cetak batako di jakarta
mesin cetak batako di surabaya
mesin cetak batako hidrolik
mesin cetak batako jakarta
mesin cetak batako jogja
mesin cetak batako manual
mesin cetak batako manual jakarta
mesin cetak batako murah
mesin cetak batako otomatis
mesin cetak batako paving
mesin cetak batako pres
mesin cetak batako press
mesin cetak batako ringan
mesin cetak batako rp
mesin cetak batako second
mesin cetak batako sederhana
mesin cetak batako semarang
mesin cetak batako semi manual
mesin cetak batako semi otomatis
mesin cetak batako solo
mesin cetak batako surabaya
mesin cetak batako tangerang
mesin cetak batako yogyakarta
mesin cetak batako youtube
mesin cetak batu bata
mesin cetak paving batako hidrolik
mesin cetak paving batako sistem manual
mesin cetakan batako
mesin cetakan batako manual
mesin industri batako
mesin mixer batako
mesin mixer paving batako
mesin molen batako
mesin pembuat batako
mesin pembuat batako bandung
mesin pembuat batako dan paving
mesin pembuat batako jakarta
mesin pembuat batako manual
mesin pembuat batako murah
mesin pembuat batako otomatis
mesin pembuat batako press
mesin pembuat batako ringan
mesin pembuat batako surabaya
mesin pembuat batu batako
mesin pencetak batako
mesin pencetak batako download
mesin pencetak batako murah
mesin pencetak batako otomatis
mesin pencetak batako ringan
mesin pencetak batako you tube
mesin pencetak batu batako
mesin potong bata ringan
mesin potong bata ringan clc
mesin potong batu bata ringan
mesin pres batako bekas
mesin pres batako dan paving
mesin pres batako hidrolik
mesin pres batako hidrolik otomatis di malang
mesin pres batako jakarta
mesin pres batako jogja
mesin pres batako manual
mesin pres batako semarang
mesin pres batako surabaya
mesin press batako bekas
mesin press batako harga
mesin press batako hidrolik
mesin press batako jawa timur
mesin press batako jogja
mesin press batako manual
mesin press batako otomatis
mesin press batako second
mesin press batako sederhana
mesin press batako surabaya
mesin press batako tangerang
mesin press batako vibrator
perancangan mesin batako
rancangan mesin batako
toko bagus mesin batako
toko mesin batako
toko mesin batako surabaya
toko mesin cetak batako jakarta
video mesin batako
video mesin batako hidrolik
video mesin cetak batako
video mesin pembuat batako
video mesin pencetak batako
video mesin press batako
agen mesin alat cetak batako
agen mesin batako
agen mesin batako bali
agen mesin batako bandung
agen mesin batako bekas
agen mesin batako bekasi
agen mesin batako china
agen mesin batako dan harganya
agen mesin batako dan paving
agen mesin batako di bali
agen mesin batako di solo
agen mesin batako diesel
agen mesin batako dijual
agen mesin batako getar
agen mesin batako harga
agen mesin batako hebel
agen mesin batako hidrolik
agen mesin batako hidrolis
agen mesin batako hydraulic
agen mesin batako jakarta
agen mesin batako jawa tengah
agen mesin batako jawa timur
agen mesin batako jogja
agen mesin batako klaten
agen mesin batako listrik
agen mesin batako malang
agen mesin batako manual
agen mesin batako modern
agen mesin batako multi block
agen mesin batako murah
agen mesin batako otomatis
agen mesin batako paving
agen mesin batako pontianak
agen mesin batako pres
agen mesin batako press
agen mesin batako press bekas
agen mesin batako press hidrolik
agen mesin batako press jakarta
agen mesin batako press manual
agen mesin batako press otomatis
agen mesin batako press surabaya
agen mesin batako press terbaru
agen mesin batako ringan
agen mesin batako rp
agen mesin batako second
agen mesin batako sederhana
agen mesin batako seken
agen mesin batako semarang
agen mesin batako semi otomatis
agen mesin batako solo
agen mesin batako sukabumi
agen mesin batako surabaya
agen mesin batako tangerang
agen mesin batako tasikmalaya
agen mesin batako tegal
agen mesin batako tokobagus
agen mesin batako vibra
agen mesin batako yogya
agen mesin batako yogyakarta
agen mesin batako youtube
agen mesin batako.com
agen mesin batu batako
agen mesin bikin batako
agen mesin buat batako
agen mesin cetak batako
agen mesin cetak batako bali
agen mesin cetak batako bandung
agen mesin cetak batako bekas
agen mesin cetak batako bekasi
agen mesin cetak batako dan paving
agen mesin cetak batako di bali
agen mesin cetak batako di jakarta
agen mesin cetak batako di surabaya
agen mesin cetak batako hidrolik
agen mesin cetak batako jakarta
agen mesin cetak batako jogja
agen mesin cetak batako manual
agen mesin cetak batako manual jakarta
agen mesin cetak batako murah
agen mesin cetak batako otomatis
agen mesin cetak batako paving
agen mesin cetak batako pres
agen mesin cetak batako press
agen mesin cetak batako ringan
agen mesin cetak batako rp
agen mesin cetak batako second
agen mesin cetak batako sederhana
agen mesin cetak batako semarang
agen mesin cetak batako semi manual
agen mesin cetak batako semi otomatis
agen mesin cetak batako solo
agen mesin cetak batako surabaya
agen mesin cetak batako tangerang
agen mesin cetak batako yogyakarta
agen mesin cetak batako youtube
agen mesin cetak batu bata
agen mesin cetak paving batako hidrolik
agen mesin cetak paving batako sistem manual
agen mesin cetakan batako
agen mesin cetakan batako manual
agen mesin industri batako
agen mesin mixer batako
agen mesin mixer paving batako
agen mesin molen batako
agen mesin pembuat batako
agen mesin pembuat batako bandung
agen mesin pembuat batako dan paving
agen mesin pembuat batako jakarta
agen mesin pembuat batako manual
agen mesin pembuat batako murah
agen mesin pembuat batako otomatis
agen mesin pembuat batako press
agen mesin pembuat batako ringan
agen mesin pembuat batako surabaya
agen mesin pembuat batu batako
agen mesin pencetak batako
agen mesin pencetak batako download
agen mesin pencetak batako murah
agen mesin pencetak batako otomatis
agen mesin pencetak batako ringan
agen mesin pencetak batako you tube
agen mesin pencetak batu batako
agen mesin potong bata ringan
agen mesin potong bata ringan clc
agen mesin potong batu bata ringan
agen mesin pres batako bekas
agen mesin pres batako dan paving
agen mesin pres batako hidrolik
agen mesin pres batako hidrolik otomatis di malang
agen mesin pres batako jakarta
agen mesin pres batako jogja
agen mesin pres batako manual
agen mesin pres batako semarang
agen mesin pres batako surabaya
agen mesin press batako bekas
agen mesin press batako harga
agen mesin press batako hidrolik
agen mesin press batako jawa timur
agen mesin press batako jogja
agen mesin press batako manual
agen mesin press batako otomatis
agen mesin press batako second
agen mesin press batako sederhana
agen mesin press batako surabaya
agen mesin press batako tangerang
agen mesin press batako vibrator

saco-indonesia.com, Sejumlah maling bertopeng ala ninja telah beraksi membobol dua rumah di Lingkungan Bukit Indah RT 001 RW 006

saco-indonesia.com, Sejumlah maling bertopeng ala ninja telah beraksi membobol dua rumah di Lingkungan Bukit Indah RT 001 RW 006, Kelurahan Seketeng, Kecamatan Sumbawa, Nusa Tenggara Barat. Sejumlah uang telah berhasil dibawa kabur oleh pelaku.

"Kasus pencurian itu telah terjadi pada Rabu (12/2) kemarin dini hari sekitar pukul 02.30 dinihari WITA. Kami juga telah mendatangi lokasi untuk dapat melakukan olah TKP dan hingga kini kasusnya dalam penyelidikan intensif," kata Kasat Reskrim AKP Erwan Yudha Perkasa.

Menurut dia, dalam menjalankan aksinya, maling yang diduga lebih dari satu orang ini telah memanjat tembok rumah korban Sudarli setinggi empat meter.

Selanjutnya, maling turun dengan menggunakan tali dan masuk dalam kamar korban. Dari rumah pegawai Dinas Diknas Sumbawa itu, pelaku dengan leluasa telah berhasil menggondol laptop, notebook, empat handphone Samsung, serta uang tunai Rp1 juta.

Setelah berhasil menggondol barang berharga milik Sudarli, para maling beraksi ke rumah sebelahnya. Rumah itu telah dimiliki oleh saudara ipar Sudarli, yakni Abdul Rahman.

Sama seperti aksi pada rumah Sudarli, maling lebih dulu memanjat tembok, turun dengan menggunakan tali, lalu masuk ke dalam kamar anak Abdul Rahman. Sejumlah barang seperti laptop dan handphone telah diambil maling dari kamar tersebut.

"Korban juga baru mengetahui pencurian itu saat para pelaku sudah meninggalkan tempat," ujar Erwan.

Kasus pencurian di dua rumah ini juga sudah ditangani oleh penyidik Reserse dan Kriminal (Reskrim) Polres Sumbawa, setelah korban melaporkannya secara resmi.


Editor : Dian Sukmwawati

saco-indonesia.com, Tanah rekat yang telah terjadi di Desa Kalitengah, Kecamatan Panggungrejo, Kabupaten Blitar, Jawa Timur, tel

saco-indonesia.com, Tanah rekat yang telah terjadi di Desa Kalitengah, Kecamatan Panggungrejo, Kabupaten Blitar, Jawa Timur, telah mengakibatkan puluhan rumah rusak. Para warga yang rumahnya rusak langsung mengungsi ke tempat yang lebih aman.

"Mereka mengungsi ke rumah tetangga. Tadi, warga juga sudah melakukan kerja bakti, dan akan dilanjutkan besok (Kamis)," kata Kepala Pelaksana Badan Penanggulangan Bencana Daerah (BPBD) Kabupaten Blitar Heru Irawan di Blitar.

Ia juga mengatakan, ada sekitar 20 rumah yang terkena dampak akibat retakan tanah tersebut. Dari jumlah itu, delapan unit di antaranya kondisinya rusak parah, sehingga pemilik rumah tidak berani menempatinya lagi.

Sementara itu, anggota RAPI Kabupaten Blitar Heru telah mengatakan tim juga sudah memantau lokasi bencana tersebut. Ia juga mengatakan, sejumlah rumah warga kondisinya memang mengkhawatirkan. Retakan di tanah itu telah membuat rumah mereka ambles dan sebagian ambruk, sehingga berbahaya jika digunakan untuk tempat tinggal.

"Beberapa hari ini hujan terus, dan melihat struktur tanah mirip tanah liat, itu yang kami prediksi menjadi pemicu tanah retak," katanya.

Sejumlah bencana telah terjadi di Kabupaten Blitar. Sampai saat ini, banjir yang telah terjadi di Kecamatan Sukorejo, belum surut. Sejumlah daerah lain juga telah mengalami bencana seperti di Kecamatan Panggungrejo ini.


Editor : Dian Sukmawati

Sinyal-sinyal pemerintah untuk menaikkan harga bahan bakar minyak (BBM) bersubsidi semakin jelas. Presiden Susilo Bambang Yudhoyono menegaskan subsidi harus dikurangi untuk menjaga perekonomian dan kesejahteraan rakyat Indonesia.

JAKARTA,  Sinyal-sinyal pemerintah untuk menaikkan harga bahan bakar minyak (BBM) bersubsidi semakin jelas.  Presiden Susilo Bambang Yudhoyono menegaskan subsidi harus dikurangi untuk menjaga perekonomian dan kesejahteraan rakyat Indonesia.

"Saya harus mengatakan dengan gamblang bahwa subsidi BBM perlu diturunkan. Caranya dengan menaikkan harga BBM secara terbatas dan terukur," kata Presiden saat pidato dalam Musyawarah Perencanaan Pembangunan Nasional (Musrenbangnas) di Bidakara, Jakarta, Kamis (30/4/2013).

Presiden mengatakan, ia tidak punya niat untuk menaikkan harga BBM sampai harga pasar atau keekonomian yang mencapai Rp 10.000 per liter.

Dengan kebijakan ini, lanjut Presiden, fiskal dan APBN akan menjadi sehat, perekonomian menjadi lebih aman di tengah resesi dunia, ketahanan ekonomi terjaga, lebih banyak biaya untuk kesejahteraan rakyat dan membangun infrastruktur, serta subsidi akan lebih adil dan tepat sasaran.

Presiden mengungkapkan bila tidak ada kenaikan harga BBM, subsidi total di APBN akan melonjak menjadi Rp 446,8 triliun dengan subsidi BBM mencapai Rp 297,7 triliun dan defisit akan menjadi Rp 353,6 triliun atau 3,83 persen dari produk domestik bruto Indonesia.

Saat ini, dalam APBN 2013, penerimaan negara mencapai Rp 1.529,7 triliun dengan belanja negara Rp 1.683 triliun dan defisit Rp 150,3 triliun atau 1,65 persen dari PDB. Sementara dana subsidi total mencapai Rp 317,2 triliun dengan subsidi BBM mencapai Rp 193,8 triliun.

"Jika tidak ada perbaikan, tidak dikendalikan subsidi ini. Subsidi total akan bengkak menjadi Rp 446,8 triliun. Bayangkan penerimaan total Rp 1.500 triliun untuk subsidi sudah Rp 446,8 triliun dengan subsidi BBM mencapai Rp 297,7 triliun," kata Presiden.

Namun, mengenai waktu kenaikan harga BBM, menurut Presiden, ialah bila dana kompensasi untuk masyarakat sudah siap. Hal ini harus dibicarakan terlebih dahulu dengan DPR.

 

 

Sumber : KOMPAS.com

 
Editor :  Maulana Lee

As he reflected on the festering wounds deepened by race and grievance that have been on painful display in America’s cities lately, President Obama on Monday found himself thinking about a young man he had just met named Malachi.

A few minutes before, in a closed-door round-table discussion at Lehman College in the Bronx, Mr. Obama had asked a group of black and Hispanic students from disadvantaged backgrounds what could be done to help them reach their goals. Several talked about counseling and guidance programs.

“Malachi, he just talked about — we should talk about love,” Mr. Obama told a crowd afterward, drifting away from his prepared remarks. “Because Malachi and I shared the fact that our dad wasn’t around and that sometimes we wondered why he wasn’t around and what had happened. But really, that’s what this comes down to is: Do we love these kids?”

Many presidents have governed during times of racial tension, but Mr. Obama is the first to see in the mirror a face that looks like those on the other side of history’s ledger. While his first term was consumed with the economy, war and health care, his second keeps coming back to the societal divide that was not bridged by his election. A president who eschewed focusing on race now seems to have found his voice again as he thinks about how to use his remaining time in office and beyond.

Continue reading the main story Video
Play Video|1:17

Obama Speaks of a ‘Sense of Unfairness’

Obama Speaks of a ‘Sense of Unfairness’

At an event announcing the creation of a nonprofit focusing on young minority men, President Obama talked about the underlying reasons for recent protests in Baltimore and other cities.

By Associated Press on Publish Date May 4, 2015. Photo by Stephen Crowley/The New York Times.

In the aftermath of racially charged unrest in places like Baltimore, Ferguson, Mo., and New York, Mr. Obama came to the Bronx on Monday for the announcement of a new nonprofit organization that is being spun off from his White House initiative called My Brother’s Keeper. Staked by more than $80 million in commitments from corporations and other donors, the new group, My Brother’s Keeper Alliance, will in effect provide the nucleus for Mr. Obama’s post-presidency, which will begin in January 2017.

“This will remain a mission for me and for Michelle not just for the rest of my presidency but for the rest of my life,” Mr. Obama said. “And the reason is simple,” he added. Referring to some of the youths he had just met, he said: “We see ourselves in these young men. I grew up without a dad. I grew up lost sometimes and adrift, not having a sense of a clear path. The only difference between me and a lot of other young men in this neighborhood and all across the country is that I grew up in an environment that was a little more forgiving.”

Advertisement

Organizers said the new alliance already had financial pledges from companies like American Express, Deloitte, Discovery Communications and News Corporation. The money will be used to help companies address obstacles facing young black and Hispanic men, provide grants to programs for disadvantaged youths, and help communities aid their populations.

Joe Echevarria, a former chief executive of Deloitte, the accounting and consulting firm, will lead the alliance, and among those on its leadership team or advisory group are executives at PepsiCo, News Corporation, Sprint, BET and Prudential Group Insurance; former Secretary of State Colin L. Powell; Senator Cory Booker, Democrat of New Jersey; former Attorney General Eric H. Holder Jr.; the music star John Legend; the retired athletes Alonzo Mourning, Jerome Bettis and Shaquille O’Neal; and the mayors of Indianapolis, Sacramento and Philadelphia.

The alliance, while nominally independent of the White House, may face some of the same questions confronting former Secretary of State Hillary Rodham Clinton as she begins another presidential campaign. Some of those donating to the alliance may have interests in government action, and skeptics may wonder whether they are trying to curry favor with the president by contributing.

“The Obama administration will have no role in deciding how donations are screened and what criteria they’ll set at the alliance for donor policies, because it’s an entirely separate entity,” Josh Earnest, the White House press secretary, told reporters on Air Force One en route to New York. But he added, “I’m confident that the members of the board are well aware of the president’s commitment to transparency.”

The alliance was in the works before the disturbances last week after the death of Freddie Gray, the black man who suffered fatal injuries while in police custody in Baltimore, but it reflected the evolution of Mr. Obama’s presidency. For him, in a way, it is coming back to issues that animated him as a young community organizer and politician. It was his own struggle with race and identity, captured in his youthful memoir, “Dreams From My Father,” that stood him apart from other presidential aspirants.

But that was a side of him that he kept largely to himself through the first years of his presidency while he focused on other priorities like turning the economy around, expanding government-subsidized health care and avoiding electoral land mines en route to re-election.

After securing a second term, Mr. Obama appeared more emboldened. Just a month after his 2013 inauguration, he talked passionately about opportunity and race with a group of teenage boys in Chicago, a moment aides point to as perhaps the first time he had spoken about these issues in such a personal, powerful way as president. A few months later, he publicly lamented the death of Trayvon Martin, a black Florida teenager, saying that “could have been me 35 years ago.”

Photo
 
President Obama on Monday with Darinel Montero, a student at Bronx International High School who introduced him before remarks at Lehman College in the Bronx. Credit Stephen Crowley/The New York Times

That case, along with public ruptures of anger over police shootings in Ferguson and elsewhere, have pushed the issue of race and law enforcement onto the public agenda. Aides said they imagined that with his presidency in its final stages, Mr. Obama might be thinking more about what comes next and causes he can advance as a private citizen.

That is not to say that his public discussion of these issues has been universally welcomed. Some conservatives said he had made matters worse by seeming in their view to blame police officers in some of the disputed cases.

“President Obama, when he was elected, could have been a unifying leader,” Senator Ted Cruz of Texas, a Republican candidate for president, said at a forum last week. “He has made decisions that I think have inflamed racial tensions.”

On the other side of the ideological spectrum, some liberal African-American activists have complained that Mr. Obama has not done enough to help downtrodden communities. While he is speaking out more, these critics argue, he has hardly used the power of the presidency to make the sort of radical change they say is necessary.

The line Mr. Obama has tried to straddle has been a serrated one. He condemns police brutality as he defends most officers as honorable. He condemns “criminals and thugs” who looted in Baltimore while expressing empathy with those trapped in a cycle of poverty and hopelessness.

In the Bronx on Monday, Mr. Obama bemoaned the death of Brian Moore, a plainclothes New York police officer who had died earlier in the day after being shot in the head Saturday on a Queens street. Most police officers are “good and honest and fair and care deeply about their communities,” even as they put their lives on the line, Mr. Obama said.

“Which is why in addressing the issues in Baltimore or Ferguson or New York, the point I made was that if we’re just looking at policing, we’re looking at it too narrowly,” he added. “If we ask the police to simply contain and control problems that we ourselves have been unwilling to invest and solve, that’s not fair to the communities, it’s not fair to the police.”

Moreover, if society writes off some people, he said, “that’s not the kind of country I want to live in; that’s not what America is about.”

His message to young men like Malachi Hernandez, who attends Boston Latin Academy in Massachusetts, is not to give up.

“I want you to know you matter,” he said. “You matter to us.”

The magical quality Mr. Lesnie created in shooting the “Babe” films caught the eye of the director Peter Jackson, who chose him to film the fantasy epic.

Ms. Pryor, who served more than two decades in the State Department, was the author of well-regarded biographies of the founder of the American Red Cross and the Confederate commander.

THE WRITERS ASHLEY AND JAQUAVIS COLEMAN know the value of a good curtain-raiser. The couple have co-authored dozens of novels, and they like to start them with a bang: a headlong action sequence, a blast of violence or sex that rocks readers back on their heels. But the Colemans concede they would be hard-pressed to dream up anything more gripping than their own real-life opening scene.

In the summer of 2001, JaQuavis Coleman was a 16-year-old foster child in Flint, Mich., the former auto-manufacturing mecca that had devolved, in the wake of General Motors’ plant closures, into one of the country’s most dangerous cities, with a decimated economy and a violent crime rate more than three times the national average. When JaQuavis was 8, social services had removed him from his mother’s home. He spent years bouncing between foster families. At 16, JaQuavis was also a businessman: a crack dealer with a network of street-corner peddlers in his employ.

One day that summer, JaQuavis met a fellow dealer in a parking lot on Flint’s west side. He was there to make a bulk sale of a quarter-brick, or “nine-piece” — a nine-ounce parcel of cocaine, with a street value of about $11,000. In the middle of the transaction, JaQuavis heard the telltale chirp of a walkie-talkie. His customer, he now realized, was an undercover policeman. JaQuavis jumped into his car and spun out onto the road, with two unmarked police cars in pursuit. He didn’t want to get into a high-speed chase, so he whipped his car into a church parking lot and made a run for it, darting into an alleyway behind a row of small houses, where he tossed the quarter-brick into some bushes. When JaQuavis reached the small residential street on the other side of the houses, he was greeted by the police, who handcuffed him and went to search behind the houses where, they told him, they were certain he had ditched the drugs. JaQuavis had been dealing since he was 12, had amassed more than $100,000 and had never been arrested. Now, he thought: It’s over.

But when the police looked in the bushes, they couldn’t find any cocaine. They interrogated JaQuavis, who denied having ever possessed or sold drugs. They combed the backyard alley some more. After an hour of fruitless efforts, the police were forced to unlock the handcuffs and release their suspect.

JaQuavis was baffled by the turn of events until the next day, when he received a phone call. The previous afternoon, a 15-year-old girl had been sitting in her home on the west side of Flint when she heard sirens. She looked out of the window of her bedroom, and watched a young man throw a package in the bushes behind her house. She recognized him. He was a high school classmate — a handsome, charismatic boy whom she had admired from afar. The girl crept outside and grabbed the bundle, which she hid in her basement. “I have something that belongs to you,” Ashley Snell told JaQuavis Coleman when she reached him by phone. “You wanna come over here and pick it up?”

Photo
Three of the nearly 50 works of urban fiction published by the Colemans over the last decade, often featuring drug deals, violence, sex and a brash kind of feminism.Credit Marko Metzinger

In the Colemans’ first novel, “Dirty Money” (2005), they told a version of this story. The outline was the same: the drug deal gone bad, the dope chucked in the bushes, the fateful phone call. To the extent that the authors took poetic license, it was to tone down the meet-cute improbability of the true-life events. In “Dirty Money,” the girl, Anari, and the crack dealer, Maurice, circle each other warily for a year or so before coupling up. But the facts of Ashley and JaQuavis’s romance outstripped pulp fiction. They fell in love more or less at first sight, moved into their own apartment while still in high school and were married in 2008. “We were together from the day we met,” Ashley says. “I don’t think we’ve spent more than a week apart in total over the past 14 years.”

That partnership turned out to be creative and entrepreneurial as well as romantic. Over the past decade, the Colemans have published nearly 50 books, sometimes as solo writers, sometimes under pseudonyms, but usually as collaborators with a byline that has become a trusted brand: “Ashley & JaQuavis.” They are marquee stars of urban fiction, or street lit, a genre whose inner-city settings and lurid mix of crime, sex and sensationalism have earned it comparisons to gangsta rap. The emergence of street lit is one of the big stories in recent American publishing, a juggernaut that has generated huge sales by catering to a readership — young, black and, for the most part, female — that historically has been ill-served by the book business. But the genre is also widely maligned. Street lit is subject to a kind of triple snobbery: scorned by literati who look down on genre fiction generally, ignored by a white publishing establishment that remains largely indifferent to black books and disparaged by African-American intellectuals for poor writing, coarse values and trafficking in racial stereotypes.

But if a certain kind of cultural prestige is shut off to the Colemans, they have reaped other rewards. They’ve built a large and loyal fan base, which gobbles up the new Ashley & JaQuavis titles that arrive every few months. Many of those books are sold at street-corner stands and other off-the-grid venues in African-American neighborhoods, a literary gray market that doesn’t register a blip on best-seller tallies. Yet the Colemans’ most popular series now regularly crack the trade fiction best-seller lists of The New York Times and Publishers Weekly. For years, the pair had no literary agent; they sold hundreds of thousands of books without banking a penny in royalties. Still, they have earned millions of dollars, almost exclusively from cash-for-manuscript deals negotiated directly with independent publishing houses. In short, though little known outside of the world of urban fiction, the Colemans are one of America’s most successful literary couples, a distinction they’ve achieved, they insist, because of their work’s gritty authenticity and their devotion to a primal literary virtue: the power of the ripping yarn.

“When you read our books, you’re gonna realize: ‘Ashley & JaQuavis are storytellers,’ ” says Ashley. “Our tales will get your heart pounding.”

THE COLEMANS’ HOME BASE — the cottage from which they operate their cottage industry — is a spacious four-bedroom house in a genteel suburb about 35 miles north of downtown Detroit. The house is plush, but when I visited this past winter, it was sparsely appointed. The couple had just recently moved in, and had only had time to fully furnish the bedroom of their 4-year-old son, Quaye.

In conversation, Ashley and JaQuavis exude both modesty and bravado: gratitude for their good fortune and bootstrappers’ pride in having made their own luck. They talk a lot about their time in the trenches, the years they spent as a drug dealer and “ride-or-die girl” tandem. In Flint they learned to “grind hard.” Writing, they say, is merely a more elevated kind of grind.

“Instead of hitting the block like we used to, we hit the laptops,” says Ashley. “I know what every word is worth. So while I’m writing, I’m like: ‘Okay, there’s a hundred dollars. There’s a thousand dollars. There’s five thousand dollars.’ ”

They maintain a rigorous regimen. They each try to write 5,000 words per day, five days a week. The writers stagger their shifts: JaQuavis goes to bed at 7 p.m. and wakes up early, around 3 or 4 in the morning, to work while his wife and child sleep. Ashley writes during the day, often in libraries or at Starbucks.

They divide the labor in other ways. Chapters are divvied up more or less equally, with tasks assigned according to individual strengths. (JaQuavis typically handles character development. Ashley loves writing murder scenes.) The results are stitched together, with no editorial interference from one author in the other’s text. The real work, they contend, is the brainstorming. The Colemans spend weeks mapping out their plot-driven books — long conversations that turn into elaborate diagrams on dry-erase boards. “JaQuavis and I are so close, it makes the process real easy,” says Ashley. “Sometimes when I’m thinking of something, a plot point, he’ll say it out loud, and I’m like: ‘Wait — did I say that?’ ”

Their collaboration developed by accident, and on the fly. Both were bookish teenagers. Ashley read lots of Judy Blume and John Grisham; JaQuavis liked Shakespeare, Richard Wright and “Atlas Shrugged.” (Their first official date was at a Borders bookstore, where Ashley bought “The Coldest Winter Ever,” the Sister Souljah novel often credited with kick-starting the contemporary street-lit movement.) In 2003, Ashley, then 17, was forced to terminate an ectopic pregnancy. She was bedridden for three weeks, and to provide distraction and boost her spirits, JaQuavis challenged his girlfriend to a writing contest. “She just wasn’t talking. She was laying in bed. I said, ‘You know what? I bet you I could write a better book than you.’ My wife is real competitive. So I said, ‘Yo, all right, $500 bet.’ And I saw her eyes spark, like, ‘What?! You can’t write no better book than me!’ So I wrote about three chapters. She wrote about three chapters. Two days later, we switched.”

The result, hammered out in a few days, would become “Dirty Money.” Two years later, when Ashley and JaQuavis were students at Ferris State University in Western Michigan, they sold the manuscript to Urban Books, a street-lit imprint founded by the best-selling author Carl Weber. At the time, JaQuavis was still making his living selling drugs. When Ashley got the phone call informing her that their book had been bought, she assumed they’d hit it big, and flushed more than $10,000 worth of cocaine down the toilet. Their advance was a mere $4,000.

Photo
The roots of street lit, found in the midcentury detective novels of Chester Himes and the ‘60s and ‘70s “ghetto fiction” of Iceberg Slim and Donald Goines.Credit Marko Metzinger

Those advances would soon increase, eventually reaching five and six figures. The Colemans built their career, JaQuavis says, in a manner that made sense to him as a veteran dope peddler: by flooding the street with product. From the start, they were prolific, churning out books at a rate of four or five a year. Their novels made their way into stores; the now-defunct chain Waldenbooks, which had stores in urban areas typically bypassed by booksellers, was a major engine of the street-lit market. But Ashley and JaQuavis took advantage of distribution channels established by pioneering urban fiction authors such as Teri Woods and Vickie Stringer, and a network of street-corner tables, magazine stands, corner shops and bodegas. Like rappers who establish their bona fides with gray-market mixtapes, street-lit authors use this system to circumnavigate industry gatekeepers, bringing their work straight to the genre’s core readership. But urban fiction has other aficionados, in less likely places. “Our books are so popular in the prison system,” JaQuavis says. “We’re banned in certain penitentiaries. Inmates fight over the books — there are incidents, you know? I have loved ones in jail, and they’re like: ‘Yo, your books can’t come in here. It’s against the rules.’ ”

The appeal of the Colemans’ work is not hard to fathom. The books are formulaic and taut; they deliver the expected goods efficiently and exuberantly. The titles telegraph the contents: “Diary of a Street Diva,” “Kiss Kiss, Bang Bang,” “Murderville.” The novels serve up a stream of explicit sex and violence in a slangy, tangy, profane voice. In Ashley & JaQuavis’s books people don’t get killed: they get “popped,” “laid out,” get their “cap twisted back.” The smut is constant, with emphasis on the earthy, sticky, olfactory particulars. Romance novel clichés — shuddering orgasms, heroic carnal feats, superlative sexual skill sets — are rendered in the Colemans’ punchy patois.

Subtlety, in other words, isn’t Ashley & JaQuavis’s forte. But their books do have a grainy specificity. In “The Cartel” (2008), the first novel in the Colemans’ best-selling saga of a Miami drug syndicate, they catch the sights and smells of a crack workshop in a housing project: the nostril-stinging scent of cocaine and baking soda bubbling on stovetops; the teams of women, stripped naked except for hospital masks so they can’t pilfer the merchandise, “cutting up the cooked coke on the round wood table.” The subject matter is dark, but the Colemans’ tone is not quite noir. Even in the grimmest scenes, the mood is high-spirited, with the writers palpably relishing the lewd and gory details: the bodies writhing in boudoirs and crumpling under volleys of bullets, the geysers of blood and other bodily fluids.

The luridness of street lit has made it a flashpoint, inciting controversy reminiscent of the hip-hop culture wars of the 1980s and ’90s. But the street-lit debate touches deeper historical roots, reviving decades-old arguments in black literary circles about the mandate to uplift the race and present wholesome images of African-Americans. In 1928, W. E. B. Du Bois slammed the “licentiousness” of “Home to Harlem,” Claude McKay’s rollicking novel of Harlem nightlife. McKay’s book, Du Bois wrote, “for the most part nauseates me, and after the dirtier parts of its filth I feel distinctly like taking a bath.” Similar sentiments have greeted 21st-century street lit. In a 2006 New York Times Op-Ed essay, the journalist and author Nick Chiles decried “the sexualization and degradation of black fiction.” African-American bookstores, Chiles complained, are “overrun with novels that . . . appeal exclusively to our most prurient natures — as if these nasty books were pairing off back in the stockrooms like little paperback rabbits and churning out even more graphic offspring that make Ralph Ellison books cringe into a dusty corner.”

Copulating paperbacks aside, it’s clear that the street-lit debate is about more than literature, touching on questions of paternalism versus populism, and on middle-class anxieties about the black underclass. “It’s part and parcel of black elites’ efforts to define not only a literary tradition, but a racial politics,” said Kinohi Nishikawa, an assistant professor of English and African-American Studies at Princeton University. “There has always been a sense that because African-Americans’ opportunities to represent themselves are so limited in the first place, any hint of criminality or salaciousness would necessarily be a knock on the entire racial politics. One of the pressing debates about African-American literature today is: If we can’t include writers like Ashley & JaQuavis, to what extent is the foundation of our thinking about black literature faulty? Is it just a literature for elites? Or can it be inclusive, bringing urban fiction under the purview of our umbrella term ‘African-American literature’?”

Defenders of street lit note that the genre has a pedigree: a tradition of black pulp fiction that stretches from Chester Himes, the midcentury author of hardboiled Harlem detective stories, to the 1960s and ’70s “ghetto fiction” of Iceberg Slim and Donald Goines, to the current wave of urban fiction authors. Others argue for street lit as a social good, noting that it attracts a large audience that might otherwise never read at all. Scholars like Nishikawa link street lit to recent studies showing increased reading among African-Americans. A 2014 Pew Research Center report found that a greater percentage of black Americans are book readers than whites or Latinos.

For their part, the Colemans place their work in the broader black literary tradition. “You have Maya Angelou, Alice Walker, James Baldwin — all of these traditional black writers, who wrote about the struggles of racism, injustice, inequality,” says Ashley. “We’re writing about the struggle as it happens now. It’s just a different struggle. I’m telling my story. I’m telling the struggle of a black girl from Flint, Michigan, who grew up on welfare.”

Photo
The Colemans in their new four-bedroom house in the northern suburbs of Detroit.Credit Courtesy of Ashley and JaQuavis Coleman

Perhaps there is a high-minded case to be made for street lit. But the virtues of Ashley & JaQuavis’s work are more basic. Their novels do lack literary polish. The writing is not graceful; there are passages of clunky exposition and sex scenes that induce guffaws and eye rolls. But the pleasure quotient is high. The books flaunt a garish brand of feminism, with women characters cast not just as vixens, but also as gangsters — cold-blooded killers, “murder mamas.” The stories are exceptionally well-plotted. “The Cartel” opens by introducing its hero, the crime boss Carter Diamond; on page 9, a gunshot spatters Diamond’s brain across the interior of a police cruiser. The book then flashes back seven years and begins to hurtle forward again — a bullet train, whizzing readers through shifting alliances, romantic entanglements and betrayals, kidnappings, shootouts with Haitian and Dominican gangsters, and a cliffhanger closing scene that leaves the novel’s heroine tied to a chair in a basement, gruesomely tortured to the edge of death. Ashley & JaQuavis’s books are not Ralph Ellison, certainly, but they build up quite a head of steam. They move.

The Colemans are moving themselves these days. They recently signed a deal with St. Martin’s Press, which will bring out the next installment in the “Cartel” series as well as new solo series by both writers. The St. Martin’s deal is both lucrative and legitimizing — a validation of Ashley and JaQuavis’s work by one of publishing’s most venerable houses. The Colemans’ ambitions have grown, as well. A recent trilogy, “Murderville,” tackles human trafficking and the blood-diamond industry in West Africa, with storylines that sweep from Sierra Leone to Mexico to Los Angeles. Increasingly, Ashley & JaQuavis are leaning on research — traveling to far-flung settings and hitting the books in the libraries — and spending less time mining their own rough-and-tumble past.

But Flint remains a source of inspiration. One evening not long ago, JaQuavis led me on a tour of his hometown: a popular roadside bar; the parking lot where he met the undercover cop for the ill-fated drug deal; Ashley’s old house, the site of his almost-arrest. He took me to a ramshackle vehicle repair shop on Flint’s west side, where he worked as a kid, washing cars. He showed me a bathroom at the rear of the garage, where, at age 12, he sneaked away to inspect the first “boulder” of crack that he ever sold. A spray-painted sign on the garage wall, which JaQuavis remembered from his time at the car wash, offered words of warning:

WHAT EVERY YOUNG MAN SHOULD KNOW
ABOUT USING A GUN:
MURDER . . . 30 Years
ARMED ROBBERY . . . 15 Years
ASSAULT . . . 15 Years
RAPE . . . 20 Years
POSSESSION . . . 5 Years
JACKING . . . 20 YEARS

“We still love Flint, Michigan,” JaQuavis says. “It’s so seedy, so treacherous. But there’s some heart in this city. This is where it all started, selling books out the box. In the days when we would get those little $40,000 advances, they’d send us a couple boxes of books for free. We would hit the streets to sell our books, right out of the car trunk. It was a hustle. It still is.”

One old neighborhood asset that the Colemans have not shaken off is swagger. “My wife is the best female writer in the game,” JaQuavis told me. “I believe I’m the best male writer in the game. I’m sleeping next to the best writer in the world. And she’s doing the same.”

 

WASHINGTON — During a training course on defending against knife attacks, a young Salt Lake City police officer asked a question: “How close can somebody get to me before I’m justified in using deadly force?”

Dennis Tueller, the instructor in that class more than three decades ago, decided to find out. In the fall of 1982, he performed a rudimentary series of tests and concluded that an armed attacker who bolted toward an officer could clear 21 feet in the time it took most officers to draw, aim and fire their weapon.

The next spring, Mr. Tueller published his findings in SWAT magazine and transformed police training in the United States. The “21-foot rule” became dogma. It has been taught in police academies around the country, accepted by courts and cited by officers to justify countless shootings, including recent episodes involving a homeless woodcarver in Seattle and a schizophrenic woman in San Francisco.

Now, amid the largest national debate over policing since the 1991 beating of Rodney King in Los Angeles, a small but vocal set of law enforcement officials are calling for a rethinking of the 21-foot rule and other axioms that have emphasized how to use force, not how to avoid it. Several big-city police departments are already re-examining when officers should chase people or draw their guns and when they should back away, wait or try to defuse the situation

The 2015 Met Gala has only officially begun, but there's a clear leader in the race for best couple, no small feat at an event that threatens to sap Hollywood of every celebrity it has for the duration of an East Coast evening.

That would be Marc Jacobs and his surprise guest (who, by some miracle, remained under wraps until their red carpet debut), Cher.

“This has been a dream of mine for a very, very long time,” Mr. Jacobs said.

It is Cher's first appearance at the Met Gala since 1997, when she arrived on the arm of Donatella Versace.

– MATTHEW SCHNEIER

Public perceptions of race relations in America have grown substantially more negative in the aftermath of the death of a young black man who was injured while in police custody in Baltimore and the subsequent unrest, far eclipsing the sentiment recorded in the wake of turmoil in Ferguson, Mo., last summer.

Americans are also increasingly likely to say that the police are more apt to use deadly force against a black person, the latest New York Times/CBS News poll finds.

The poll findings highlight the challenges for local leaders and police officials in trying to maintain order while sustaining faith in the criminal justice system in a racially polarized nation.

Sixty-one percent of Americans now say race relations in this country are generally bad. That figure is up sharply from 44 percent after the fatal police shooting of Michael Brown and the unrest that followed in Ferguson in August, and 43 percent in December. In a CBS News poll just two months ago, 38 percent said race relations were generally bad. Current views are by far the worst of Barack Obama’s presidency.

The negative sentiment is echoed by broad majorities of blacks and whites alike, a stark change from earlier this year, when 58 percent of blacks thought race relations were bad, but just 35 percent of whites agreed. In August, 48 percent of blacks and 41 percent of whites said they felt that way.

Looking ahead, 44 percent of Americans think race relations are worsening, up from 36 percent in December. Forty-one percent of blacks and 46 percent of whites think so. Pessimism among whites has increased 10 points since December.

Continue reading the main story
Do you think race relations in the United States are generally good or generally bad?
60
40
20
0
White
Black
May '14
May '15
Generally bad
Continue reading the main story
Do you think race relations in the United States are getting better, getting worse or staying about the same?
Getting worse
Staying the same
Getting better
Don't know/No answer
All adults
Whites
Blacks
44%
37
17
46
36
16
41
42
15

The poll finds that profound racial divisions in views of how the police use deadly force remain. Blacks are more than twice as likely to say police in most communities are more apt to use deadly force against a black person — 79 percent of blacks say so compared with 37 percent of whites. A slim majority of whites say race is not a factor in a police officer’s decision to use deadly force.

Overall, 44 percent of Americans say deadly force is more likely to be used against a black person, up from 37 percent in August and 40 percent in December.

Blacks also remain far more likely than whites to say they feel mostly anxious about the police in their community. Forty-two percent say so, while 51 percent feel mostly safe. Among whites, 8 in 10 feel mostly safe.

One proposal to address the matter — having on-duty police officers wear body cameras — receives overwhelming support. More than 9 in 10 whites and blacks alike favor it.

Continue reading the main story
How would you describe your feelings about the police in your community? Would you say they make you feel mostly safe or mostly anxious?
Mostly safe
Mostly anxious
Don't know/No answer
All adults
Whites
Blacks
75%
21
3
81
16
3
51
42
7
Continue reading the main story
In general, do you think the police in most communities are more likely to use deadly force against a black person, or more likely to use it against a white person, or don’t you think race affects police use of deadly force?
Police more likely to use deadly force against a black person
Police more likely to use deadly force against a white person
Race DOES NOT affect police use of deadly force
Don't know/No answer
All adults
Whites
Blacks
44%
37%
79%
2%
2%
1%
46%
53%
16%
9%
8%
4%
Continue reading the main story
Do you favor or oppose on-duty police officers wearing video cameras that would record events and actions as they occur?
Favor
Oppose
Don't know/No answer
All adults
Whites
Blacks
92%
93%
93%
6%
5%
5%
2%
2%
2%

Asked specifically about the situation in Baltimore, most Americans expressed at least some confidence that the investigation by local authorities would be conducted fairly. But while nearly two-thirds of whites think so, fewer than half of blacks agree. Still, more blacks are confident now than were in August regarding the investigation in Ferguson. On Friday, six members of the police force involved in the arrest of Mr. Gray were charged with serious offenses, including manslaughter. The poll was conducted Thursday through Sunday; results from before charges were announced are similar to those from after.

Reaction to the recent turmoil in Baltimore, however, is similar among blacks and whites. Most Americans, 61 percent, say the unrest after Mr. Gray’s death was not justified. That includes 64 percent of whites and 57 percent of blacks.

Continue reading the main story
As you may know, a Baltimore man, Freddie Gray, recently died after being in the custody of the Baltimore police. How much confidence do you have that the investigation by local authorities into this matter will be conducted fairly?
A lot
Some
Not much
None at all
Don't know/No answer
All adults
Whites
Blacks
29%
31
22
14
5
31
33
20
11
5
20
26
30
22
In general, do you think the unrest in Baltimore after the death of Freddie Gray was justified, or do you think the unrest was not justified?
Justified
Not justified
Don't know/No answer
All adults
Whites
Blacks
28%
61
11
26
64
11
37
57
6